[Footnote 128: The situation here is a common one. Parallels will be found in the "Voyage de Charlemagne", in the first tale of the "Arabian Nights", in the poem "Biterolf and Dietlieb", and in the English ballad of "King Arthur and King Cornwall". Professor Child, in his "English and Scotch Ballads", indexes the ballads in his collection, which present this motive, under the following caption: "King who regards himself as the richest, most magnificent, etc., in the world, is told that there is one who outstrips him, and undertakes to see for himself whether this is so, threatening death to the person who has affirmed his inferiority in case this is disproved."]
[Footnote 129: The presence of the Irish in this connection is explained by G. Paris in "Romania", xx. 149.]
[Footnote 130: Kay the Seneschal appears here for the first time in Chrétien's poems with the character which he regularly ascribes to him. Readers of Arthurian romance are all familiar with Sir Kay; they will find that in Chrétien, the seneschal, in addition to his undeniable qualities of bravery and frankness, has less pleasing traits; he is foolhardy, tactless, mean, and a disparager of others' merit. He figures prominently in "Yvain" and "Lancelot". His poetic history has not yet been written. His role in the German romances has been touched upon by Dr. Friedrich Sachse, "Ueber den Ritter Kei" (Berlin, 1860).]
[Footnote 131: No meat was eaten because it was the eve of Sunday.]
[Footnote 132: In the French epic poems and romances of adventure alike it is customary for giants and all manner of rustic boors to carry clubs, the arms of knighthood being appropriate for such ignoble creatures. Other instances of this convention will be remarked in the text.]
[Footnote 133: There follows and excellent example of an old French lament for the dead. Such a wail was known in old French as a "regret", a word which has lost its specific meaning in English.]
[Footnote 134: Many examples will be met of women skilled in the practice of medicine and surgery. On the subject, cf. A. Hertel, "Versauberte Oertlichkeiten und Gegenstande in der altfranzosschen Dichtung" (Hanover, 1908); Georg Manheimer, "Etwas liber die Aerzte im alten Frankreich" in "Romanische Forschungen", vi. 581-614.]
[Footnote 135: The reference here and in v.5891 is probably suggested by the "Roman d'Eneas", which tells the same story as Virgil's "Aeneid", in old French eight-syllable rhymed couplets, and which is dated by the most recent scholarship 1160 circ. Cf. F.M. Warren in "Modern Philology", iii. 179-209; iii. 513-539; iv. 655-675. Also M. Wilmotte, "L'Evolution du roman francais aux environs de 1150" (Paris, 1903). Scenes from classical and medieval romance were for a long time favourite subject of portrayal upon cloths and tapestries, as well as of illuminations for manuscripts.]
[Footnote 136: Various conjectures have been advanced concerning the significance of this strange adventure and its mysterious name "La Joie de la cour". It is a quite extraneous episode, and Tennyson in his artistic use of our hero and heroine in the Idyl of "Geraint and Enid" did well to omit it. Chrétien's explanation, a little farther on, of "La Joie de la cour" is lame and unsatisfactory, as if he himself did not understand the significance of the matter upon which he was working. Cf. E. Philipot in "Romania", xxv. 258-294; K. Othmer, "Ueber das Verhaltnis Chrestiens Erec und Enide zu dem Mabinogion des rothen Buch von Hergest" (Bonn, 1889); G. Paris in "Romania", xx. 152 f.]
[Footnote 137: The following description of Erec's reception is repeated with variations at the time of Yvain's entrance in the "Chastel de Pesme Avanture" ("Yvain", 5107 f.) (F.).]
[Footnote 138: For such conventional mediaeval descriptions of other-world castles, palaces, and landscapes, cf. O.M. Johnston in "Ztsch fur romanische Philologie", xxxii. 705-710.]
[Footnote 139: Tiebaut li Esclavon, frequently mentioned in the epic poems, was a Saracen king, the first husband of Guibourne, who later married the Christian hero Guillaume d'Orange. Opinel was also a Saracen, mentioned in "Gaufrey", p. 132, and the hero of a lost epic poem (see G. Paris, "Historie poetique de Charlemagne", p. 127). Fernagu was another Saracen king, killed in a famous encounter by Roland, "Otinel", p. 9 (F.). For further references to these characters, see E. Langlois, "Table des noms propres de toute nature compris dans les chansons de geste" (Paris, 1904).]
[Footnote 140: There is a similar picket fence topped with helmets in the "Las de la Mule sanz frain", v. 433 (ed. By R.T. Hill, Baltimore, 1911).]
[Footnote 141: For such magic horns, cf. A. Hertel, "Verzauberte Oertlichkeiten", etc. (Hanover, 1908).]
[Footnote 142: In fact, nothing is known of this "lai", if, indeed, it ever existed. For a recent definition of "lai", se L. Foulet in "Ztsch. fur romanische Philologie", xxxii. 161 f.]
[Footnote 143: The sterling was the English silver penny, 240 of which equalled 1 Pound Sterling of silver of 5760 grains 925 fine. It is early described as "denarius Angliae qui vocatur sterlingus" ("Ency. Brit").]
[Footnote 144: Macrobius was a Neoplatonic philosopher and Latin grammarian of the early part of the 5th century A.D. He is best known as the author of the "Saturnalia" and of a commentary upon Cicero's "Somnium Scipionis" in that author's "De republica". It is this latter work that is probably in the mind of Chrétien, as well as of Gower, who refers to him in his "Mirour l'omme", and of Jean de Meun, the author of the second part of the "Roman de la Rose".]
[Footnote 145: For fairies and their handiwork in the Middle Ages, cf. L.F.A. Maury, "Les Fees du moyen age" (Paris, 1843); Keightley, "Fairy Mythology" (London, 1860); Lucy A. Paton, "Studies in the Fairy Mythology of Arthurian Romance", Radcliffe Monograph (Boston, 1903); D.B. Easter, "The Magic Elements in the romans d'aventure and the romans bretons" (Baltimore, 1906).]
CLIGÉS [21]
(Vv. 1-44.) He who wrote of Erec and Enide, and translated into French the commands of Ovid and the Art of Love, and wrote the Shoulder Bite, [22] and about King Mark and the fair Iseut, [23] and about the metamorphosis of the Lapwing, [24] the Swallow, and the Nightingale, will tell another story now about a youth who lived in Greece and was a member of King Arthur's line. But before I tell you aught of him, you shall hear of his father's life, whence he came and of what family. He was so bold and so ambitious that he left Greece and went to England, which was called Britain in those days, in order to win fame and renown. This story, which I intend to relate to you, we find written in one of the books of the library of my lord Saint Peter at Beauvais. [25] From there the material was drawn of which Chrétien has made this romance. The book is very old in which the story is told, and this adds to its authority. [26] From such books which have been preserved we learn the deeds of men of old and of the times long since gone by. Our books have informed us that the pre-eminence in chivalry and learning once belonged to Greece. Then chivalry passed to Rome, together with that highest learning which now has come to France. God grant that it may be cherished here, and that it may be made so welcome here that the honour which has taken refuge with us may never depart from France: God had awarded it as another's share, but of Greeks and Romans no more is heard, their fame is passed, and their glowing ash is dead.
(Vv. 45-134.) Chrétien begins his story as we find it in the history, which tells of an emperor powerful in wealth and honour who ruled over Greece and Constantinople. A very noble empress, too, there was, by whom the emperor had two children. But the elder son was already so far advanced before the younger one was born that, if he had wished, he might have become a knight and held all the empire beneath his sway. The name of the elder was Alexander, and the other's name was Alis. Alexander, too, was the father's name, and the mother's name was Tantalis. I shall now say nothing more of the emperor and of Alis; but I shall speak of Alexander, who was so bold and proud that he scorned to become a knight in his own country. He had heard of King Arthur, who reigned in those days, and of the knights whom he always kept about him, thus causing his court to be feared and famed throughout the world. However, the affair may result and whatever fortune may await him, nothing can restrain Alexander from his desire to go into Britain, but he must obtain his father's consent before proceeding to Britain and Cornwall. So Alexander, fair and brave, goes to speak with the emperor in order to ask and obtain his leave. Now he will tell him of his desire and what he wishes to do and undertake. "Fair sire," he says, "in quest of honour and fame and praise I dare to ask you a boon, which I desire you to give me now without delay, if you are willing to grant it to me." The emperor thinks no harm will come from this request: he ought rather to desire and long for his son's honour. "Fair son," he says, "I grant you your desire; so tell me now what you wish me to give you." Now the youth has accomplished his purpose, and is greatly pleased when the boon is granted him which he so greatly desired. "Sire," says he, "do you wish to know what it is that you have promised me? I wish to have a great plenty of gold and silver, and such companions from among your men as I will select; for I wish to go forth from your empire, and to present my service to the king who rules over Britain, in order that he may make me a knight. I promise you never in my life to wear armour on my face or helmet upon my head until King Arthur shall gird on my sword, if he will graciously do so. For from no other than from him will I accept my arms." Without hesitation the emperor replies: "Fair son, for God's sake, speak not so! This country all belongs to you, as well as rich Constantinople. You ought not to think me mean, when I am ready to make you such a gift. I shall be ready soon to have you crowned, and to-morrow you shall be a knight. All Greece will be in your hands, and you shall receive from your nobles, as is right, their homage and oaths of allegiance. Whoever refuses such an offer is not wise."