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Complete Prose Works: Specimen Days and Collect, November Boughs and Goodbye My Fancy · Whitman, Walt

Section 47

CEDAR-PLUMS LIKE-NAMES (_Back again in Camden and down in Jersey_)

One time I thought of naming this collection "Cedar-Plums Like" (which I still fancy wouldn't have been a bad name nor inappropriate.) A melange of loafing, looking, hobbling, sitting, traveling--a little thinking thrown in for salt, but very little--not only summer but all seasons--not only days but nights--some literary meditations--books, authors examined, Carlyle, Poe, Emerson tried, (always under my cedar-tree, in the open air, and never in the library)--mostly the scenes everybody sees, but some of my own caprices, meditations, egotism--truly an open air and mainly summer formation--singly, or in clusters--wild and free and somewhat acrid--indeed more like cedar-plums than you might guess at first glance.

But do you know what they are? (To city man, or some sweet parlor lady, I now talk.) As you go along roads, or barrens, or across country, anywhere through these States, middle, eastern, western, or southern, you will see, certain seasons of the year, the thick woolly tufts of the cedar mottled with bunches of china-blue berries, about as big as fox-grapes. But first a special word for the tree itself: everybody knows that the cedar is a healthy, cheap, democratic wood, streak'd red and white--an evergreen--that it is not a _cultivated_ tree--that it keeps away moths--that it grows inland or seaboard, all climates, hot or cold, any soil--in fact rather prefers sand and bleak side spots--content if the plough, the fertilizer and the trimming-axe, will but keep away and let it alone. After a long rain, when everything looks bright, often have I stopt in my wood-saunters, south or north, or far west, to take in its dusky green, wash'd clean and sweet, and speck'd copiously with its fruit of clear, hardy blue. The wood of the cedar is of use--but what profit on earth are those sprigs of acrid plums? A question impossible to answer satisfactorily. True, some of the herb doctors give them for stomachic affections, but the remedy is as bad as the disease. Then in my rambles down in Camden county I once found an old crazy woman gathering the clusters with zeal and joy. She show'd, as I was told afterward, a sort of infatuation for them, and every year placed and kept profuse bunches high and low about her room. They had a strange charm on her uneasy head, and effected docility and peace. (She was harmless, and lived near by with her well-off married daughter.) Whether there is any connection between those bunches, and being out of one's wits, I cannot say, but I myself entertain a weakness for them. Indeed, I love the cedar, anyhow--its naked ruggedness, its just palpable odor, (so different from the perfumer's best,) its silence, its equable acceptance of winter's cold and summer's heat, of rain or drouth--its shelter to me from those, at times--its associations--(well, I never could explain _why_ I love anybody, or anything.) The service I now specially owe to the cedar is, while I cast around for a name for my proposed collection, hesitating, puzzled--after rejecting a long, long string, I lift my eyes, and lo! the very term I want. At any rate, I go no further--I tire in the search. I take what some invisible kind spirit has put before me. Besides, who shall say there is not affinity enough between (at least the bundle of sticks that produced) many of these pieces, or granulations, and those blue berries? their uselessness growing wild--a certain aroma of Nature I would so like to have in my pages--the thin soil whence they come--their content in being let alone--their stolid and deaf repugnance to answering questions, (this latter the nearest, dearest trait affinity of all.)

Then reader dear, in conclusion, as to the point of the name for the present collection, let us be satisfied to _have_ a name--something to identify and bind it together, to concrete all its vegetable, mineral, personal memoranda, abrupt raids of criticism, crude gossip of philosophy, varied sands and clumps--without bothering ourselves because certain pages do not present themselves to you or me as coming under their own name with entire fitness or amiability. (It is a profound, vexatious never-explicable matter--this of names. I have been exercised deeply about it my whole life.[11])

After all of which the name "Cedar-Plums Like" got its nose put out of joint; but I cannot afford to throw away what I pencill'd down the lane there, under the shelter of my old friend, one warm October noon. Besides, it wouldn't be civil to the cedar tree.

Note:

[11] In the pocket of my receptacle-book I find a list of suggested and rejected names for this volume, or parts of it--such as the following:

_As the wild bee hums in May, & August mulleins grow, & Winter snow-flakes fall, & stars in the sky roll round._

_Away from Books--away from Art, Now for the Day and Night--the lessons done, Now for the Sun and Stars._

_Notes of a Half-Paralytic, As Voices in the Dusk, from Week in and Week out, Speakers far or hid, Embers of Ending Days, Autochthons....Embryons, Ducks and Drakes, Wing-and-Wing, Flood Tide and Ebb, Notes and Recalles. Gossip at Early Candle-light, Only Mulleins and Bumble-Bees, Echoes and Escapades, Pond-Babble....TĂȘte-a-TĂȘtes, Such as I....Evening Dews, Echoes of a Life in the 19th Notes and Writing a Book, Century in the New World, Far and Near at 63, Flanges of Fifty Years, Drifts and Cumulus, Abandons....Hurry Notes, Maize-Tassels....Kindlings, A Life-Mosaic....Native Moments, Fore and Aft....Vestibules, Types and Semi-Tones, Scintilla at 60 and after, Oddments....Sand-Drifts, Sands on the Shores of 64, Again and Again._

DEATH OF THOMAS CARLYLE

_Feb. 10, '81_.--And so the flame of the lamp, after long wasting and flickering, has gone out entirely.

As a representative author, a literary figure, no man else will bequeath to the future more significant hints of our stormy era, its fierce paradoxes, its din, and its struggling parturition periods, than Carlyle. He belongs to our own branch of the stock too; neither Latin nor Greek, but altogether Gothic. Rugged, mountainous, volcanic, he was himself more a French revolution than any of his volumes. In some respects, so far in the Nineteenth century, the best equipt, keenest mind, even from the college point of view, of all Britain; only he had an ailing body. Dyspepsia is to be traced in every page, and now and then fills the page. One may include among the lessons of his life--even though that life stretch'd to amazing length--how behind the tally of genius and morals stands the stomach, and gives a sort of casting vote.

Two conflicting agonistic elements seem to have contended in the man, sometimes pulling him different ways like wild horses. He was a cautious, conservative Scotchman, fully aware what a foetid gas-bag much of modern radicalism is; but then his great heart demanded reform, demanded change--often terribly at odds with his scornful brain. No author ever put so much wailing and despair into his books, sometimes palpable, oftener latent. He reminds me of that passage in Young's poems where as death presses closer and closer for his prey, the soul rushes hither and thither, appealing, shrieking, berating, to escape the general doom.

Of short-comings, even positive blur-spots, from an American point of view, he had serious share.

Not for his merely literary merit, (though that was great)--not as "maker of books," but as launching into the self-complacent atmosphere of our days a rasping, questioning, dislocating agitation and shock, is Carlyle's final value. It is time the English-speaking peoples had some true idea about the verteber of genius, namely power. As if they must always have it cut and bias'd to the fashion, like a lady's cloak! What a needed service he performs! How he shakes our comfortable reading circles with a touch of the old Hebraic anger and prophecy--and indeed it is just the same. Not Isaiah himself more scornful, more threatening: "The crown of pride, the drunkards of Ephraim, shall be trodden under feet: And the glorious beauty which is on the head of the fat valley shall be a fading flower." (The word prophecy is much misused; it seems narrow'd to prediction merely. That is not the main sense of the Hebrew word translated "prophet;" it means one whose mind bubbles up and pours forth as a fountain, from inner, divine spontaneities revealing God. Prediction is a very minor part of prophecy. The great matter is to reveal and outpour the God-like suggestions pressing for birth in the soul. This is briefly the doctrine of the Friends or Quakers.)

Then the simplicity and amid ostensible frailty the towering strength of this man--a hardy oak knot, you could never wear out--an old farmer dress'd in brown clothes, and not handsome--his very foibles fascinating. Who cares that he wrote about Dr. Francia, and "Shooting Niagara"--and "the Nigger Question,"--and didn't at all admire our United States? (I doubt if he ever thought or said half as bad words about us as we deserve.) How he splashes like leviathan in the seas of modern literature and politics! Doubtless, respecting the latter, one needs first to realize, from actual observation, the squalor, vice and doggedness ingrain'd in the bulk-population of the British islands, with the red tape, the fatuity, the flunkeyism everywhere, to understand the last meaning in his pages. Accordingly, though he was no chartist or radical, I consider Carlyle's by far the most indignant comment or protest anent the fruits of feudalism to-day in Great Britain--the increasing poverty and degradation of the homeless, landless twenty millions, while a few thousands, or rather a few hundreds, possess the entire soil, the money, and the fat berths. Trade and shipping, and clubs and culture, and prestige, and guns, and a fine select class of gentry and aristocracy, with every modern improvement, cannot begin to salve or defend such stupendous hoggishness.

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