In the great number of different pictures which the author has here collected, whether he paints the respectable simplicity of Valesian manners, the brilliant corruption of great cities, the restricted impatience of expecting love, the wildness of despair, or the pathetic regret of a generous passion after an extraordinary sacrifice; whether, in the interesting scene of Meillerie, he displays all the eloquence of genius, and every tender emotion of the heart; whether excited by the plausibility of logic he collects his whole strength to destroy the sophisms of false honour; whether Virtue herself thunders with her respectable and sublime voice against the crime of suicide justified by eloquence; we always find his manner properly adapted both to the subject and to the speaker, which renders the illusion compleat.
Almost every trial which the soul can experience is represented either in the principal or accessory situations, or in the reflections. In short, the human soul is here penetrated and displayed in every point of view; so that every sensible heart may be certain of beholding itself in this mirror.
The nature and form of this work will not allow of a regular extract. It consists entirely of a gradual unfolding of ideas and sensations which admit of no analysis, and which can be pursued only in the work itself. The author in the catastrophe imitates the happy artifice of the artist who painted the sacrifice of Iphigenia. Eloisa dies; they weep round her ashes. The author paints this universal grief; he paints the silent but sincere affliction of her husband, the affecting stupor of the father, the extravagant sorrow of her friend: and now the despair of her lover remains to be described; but that was inexpressible: the author wisely draws a veil before him, and leaves the rest to our imagination.
The picture of Eloisa dying can be compared only to the scene of Alcestes expiring, in Euripides.
Upon the whole, it were needless to say how much this work deserves to be read, since the eagerness of the Public hath already sufficiently prevented us. We cannot better express our approbation of a performance in which even vice itself breathes an air of virtue, than in the words of Eloisa, who in speaking of Lord B---- says, was there ever a man without faults who possessed great virtues? And in like manner we ask, whether there was ever a work without blemish which might boast of such penetrating and sublime beauties?
Eloisa
Volume I
Letter I. To Eloisa.
I must fly from you, madam, in truth I must. I am to blame for continuing with you so long, or rather, I ought never to have beheld you. But, situated as I am, what can I do? How shall I determine? You have promised me your friendship; consider my perplexity, and give me your advice.
You are sensible that I became one of your family in consequence of an invitation from your mother. Believing me possessed of some little knowledge, she thought that I might be of service in the education of her beloved daughter, in a situation where proper masters were not to be obtained. Proud to be instrumental in adding a few embellishments to one of nature’s most beautiful compositions, I dared to engage in the perilous task, unmindful of the danger, or, at least, unapprehensive of the consequence. I will not tell you that I begin to suffer for my presumption. I hope I shall never so far forget myself as to say any thing which you ought not to hear, or fail in that respect which is due to your virtue, rather than to your birth or personal charms. If I must suffer, I have the consolation, at least, that I suffer alone. I can enjoy no happiness at the expense of yours.
And yet I see you and converse with you every day of my life, and am but too sensible that you innocently aggravate a misfortune which you cannot pity, and of which you ought to be ignorant. It is true, I know what prudence would dictate, in a case like this, where there is no hope; and I should certainly follow her advice if I could reconcile it with my notions of probity. How can I with decency quit a family into which I was so kindly invited, where I have received so many obligations, and where, by the tenderest of mothers, I am thought of some utility to a daughter whom she loves more than all the world? How can I resolve to deprive this affectionate parent of the pleasure she proposes to herself in, one day, surprizing her husband with your progress in the knowledge of things of which he must naturally suppose you ignorant? Shall I impolitely quit the house without taking leave of her? Shall I declare to her the cause of my retreat, and would not she even have reason to be offended with this confession from a man whose inferior birth and fortune must for ever remain insuperable bars to his happiness?
There seems but one method to extricate me from this embarrassment: the hand which involved me in it must also relieve me. As you are the cause of my offence, you must inflict my punishment: out of compassion, at least, deign to banish me from your presence. Shew my letter to your parents; let your doors be shut against me; spurn me from you in what manner you please; from you I can bear any thing; but of my own accord I have no power to fly from you.
Spurn me from you! fly your presence! why? Why should it be a crime to be sensible of merit, and to love that which we cannot fail to honour? No, charming Eloisa; your beauty might have dazzled my eyes, but it never would have misled my heart, had it not been animated with something yet more powerful. It is that captivating union between a lively sensibility and invariable sweetness of disposition; it is that tender feeling for the distresses of your fellow creatures; it is that amazing justness of sentiment, and that exquisite taste which derive their excellence from the purity of your soul; they are, in short, your mental charms much more than those of your person, which I adore. I confess it may be possible to imagine beauties still more transcendently perfect; but more amiable, and more deserving the heart of a wise and virtuous man,----no, no, Eloisa, it is impossible.
I am sometimes inclined to flatter myself that, as in the parity of our years, and similitude of taste, there is also a secret sympathy in our affections. We are both so young that our nature can hitherto have received no false bias from any thing adventitious, and all our inclinations seem to coincide. Before we have imbibed the uniform prejudices of the world, our general perceptions seem uniform; and why dare I not suppose the same concord in our hearts, which in our judgment is so strikingly apparent? Sometimes it happens that our eyes meet; involuntary sighs betray our feelings, tears steal from----O! my Eloisa! if this unison of soul should be a divine impulse----if heaven should have destined us----all the power on earth----Ah pardon me! I am bewildered: I have mistaken a vain wish for hope: the ardour of my desires gave to their imaginary object a solidity which did not exist. I foresee with horror the torments which my heart is preparing for itself. I do not seek to flatter my misfortune; if it were in my power I would avoid it. You may judge of the purity of my sentiments by the favour I ask. Destroy, if possible, the source of the poison that both supports and kills me. I am determined to effect my cure or my death, and I therefore implore your rigorous injunction, as a lover would supplicate your compassion.
Yes, I promise, I swear, on my part, to do every thing within my power to recover my reason, or to bury my growing anxiety in the inmost recesses of my soul. But, for mercy’s sake, turn from me those lovely eyes that pierce me to the heart; suffer me no longer to gaze upon that face, that air, those arms, those hands, that engaging manner; disappoint the imprudent avidity of my looks; no longer let me hear that enchanting voice, which cannot be heard without emotion; be, alas! in every respect, another woman, that my soul may return to its former tranquillity.
Shall I tell you, without apology? When we are engaged in the puerile amusements of these long evenings, you cruelly permit me, in the presence of the whole family, to increase a flame that is but too violent already. You are not more reserved to me than to any of the rest. Even yesterday you almost suffered me, as a forfeit, to take a kiss: you made but a faint resistance. Happily, I did not persist. I perceived by my increasing palpitation, that I was rushing upon my ruin, and therefore stopped in time. If I had dared to indulge my inclination, that kiss would have proved my last sigh, and I should have died the happiest of mortals.
For heaven’s sake, let us quit those plays, since they may possibly be attended with such fatal consequences; even the most simple of them all is not without its danger. I tremble as often as our hands meet, and I know not how it happens, but they meet continually. I start the instant I feel the touch of your finger; as the play advances I am seized with a fever, or rather delirium; my senses gradually forsake me, and, in their absence, what can I say, what can I do, where hide myself, or how be answerable for my conduct?