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Changeling, and Other Stories · Byrne, Donn

Section 52

If his old man had been a different kind of old man he 'd have gone to him and said: "Hey, old timer, how about going easy on the jack for a while, hey? Just lay off a bit until I get things right. Gi' me another half-dozen fights under my belt, see, and I 'll drop this Guinea cold. And then the champion 'll have to give me a fight--the papers 'll make him, and you know what he is. He 's a bum. So what do you say we get us a couple o' rooms, hey, and go easy for a while? What do you say?"

A different kind of old man would have said: "Sure. We 'll take our time, and we 'll knock this Guinea for a row of jam-jars. And as for the champion, it's a cinch."

But he was n't that kind of old man. He did n't hold with this fighting, nohow. He had no use for it. And he was n't the kind of old guy you could talk to. Irish thought he must have had a hard time in his life.

Ah, well; he was entitled to a good time now. Let him have his own way. Irish could always make money. It did n't matter so much, after all, did it? The only thing that hurt him was that he would never draw the Stars and Stripes through the green Irish tights....

And he could have, if he 'd had only six months.

Irish was aware now as he answered the bell that his bolt was shot. The high pitch of concentration had gone. With the dropping of the Italian, and the Italian's escape, he had reached the high point of his fighting, and now must go down. His punch would be heavy still, but it would lack the terrific speed, the speed of shock, that carries a knock-out. And the effect of the cumulation of blows from the Italian sharpshooter was beginning to tell. Through the bruises on his body and neck and the puffiness of his face, energy was flowing out of him like water from some pierced vessel. The stinging lefts to his face had made it hard for him to breathe, and his hands were swollen inside his gloves, and all of a sudden his legs were tired.

Into ten rounds of whirlwind fighting he had foolishly put everything, gambled energy and hands and brain.

And he sensed with a great sinking of his heart that Chip was drawing ahead of him now, drawing away from him in the contest, with the inevitableness of the winner drawing away from the beaten man, forging ahead while the other plods hopelessly on.... With the quick telepathy of the ring the Italian knew Irish had cracked, that he was gone. And now the energy he had saved by making his man come to him he could use, he must use. For that knock-down in the tenth was a high score of points against him. And he was afraid of a draw. He would have to fight Irish again. Not again! He must knock him out.

He met the futile rushes with stinging lefts. At close quarters he ripped home his hands mercilessly. As they drew apart he stalked his man. _Smack! Smack!_ It was no hard matter to avoid the rushing of Irish. God! what a glutton Irish was! What he could take without going down!

Mechanically, stolidly, dully, Irish boxed. All about him now was the hoarse murmur of speculation, and the din of it dazed him a little, and the light. And from a cut in his forehead the blood was running into his eyes.

Four times the gong crashed, the end and opening of a round, and the end and opening of another round. Dully he went to his corner. The splash of water in his face did not revive him, nor the current from the whipping towels, nor the slapping of his legs.

"Don't let him knock you out, Irish. Hold him. Only two more rounds. Don't let him knock you out." Maher's fierce whisper hit at his ear-drums. So it was as bad as that, hey?

"Hold on to him, kid. Don't fight him. Hold him."

The bell rang. They pushed him to his seat. Wearily he moved toward the center of the ring.

"Look out!" some one called.

The Italian had sprung from his corner with the spring of a cat. And Irish felt surprisedly that he had been struck with two terrific hammers on the jaw. And as he wondered who had hit him his knees buckled surprisingly, and he was on his hands and knees on the floor.

And he heard some one say: "... three ... four..." He struggled to his feet. Somewhere Maher was shouting. "Take the count, Irish." Irish dully wondered what he meant.

And now Chip was in front of him, concentrated, poised. And once more the hammer crashed on the jaw. And he tumbled to the boards on his side.

He was very dull, very dazed. For a while he knew nothing. And then he understood; the referee pumping his hand up and down, and the roar of the crowd.

"Eight!"

As he moved he felt the ropes, and blindly he groped for them, pulling himself to his feet somehow. About him the din surged. The referee stepped back. The Italian was pawing at the referee's arm, protesting. Irish understood. Chip wanted the fight stopped, did n't want to hit him any more. Ah, he was a good kid, Chip was.

And then the ring slithered underneath him; the hand grasping the rope grew lifeless, let go; and the lights went out for him; and Irish crashed forward on his face.

The old man looked at the battered face above the blue serge suit.

"Well," he said, "it must have been a grand fight entirely!"

"It was a great fight," Irish grinned, "and a good man won."

"Meaning yourself?"

"No, meaning the Guinea."

"So you were beat, eh?" the old man jeered. "I never thought you were much good at it."

"Ah, I don't know." And Irish grinned again.

"Tell me," the old man snapped, "did you bring me 'The Advocate'?"

"I did." And Irish handed it over.

"'T is a wonder you remembered it," the old man snarled. "And the fine lacing you 're after taking!"

And Irish grinned again. Wasn't he a queer, grumpy old man!

BY ORDEAL OF JUSTICE

Very much as though he were entering a disreputable place, Matthew Kerrigan slipped furtively from the taxicab into the hallway of the old New York mansion made over into an apartment-house. He stood at the door, portly, important, wrapped in his fur coat. He pushed the button marked "Mr. Sergius." A young Russian butler admitted him.

"Just say a Mr. Smith," Kerrigan announced importantly. Across the Russian boy's harsh features there was the shadow of contempt. He reappeared in an instant and held open a door for Kerrigan.

Kerrigan had been expecting something of the dark, perfumed, cheap interior of a palmist's studio; or the meretricious mystery of a clairvoyant apartment with its crystal glass on faded velvet. Even Kerrigan's untrained Broadwayish mind was awe-struck by the huge, somber living-room into which he was ushered. He sensed, rather than understood, the richness of the pictures and hangings, the beautiful ceiling. Only in books and papers had he seen anything like the great white borzoi lying before the roaring fireplace like a patient cat. The man he had come to see was sitting by the fire; dead-white features against a black background. Lean, emaciated, with his full black beard, black cassock, and high black headdress of the Greek monk, he seemed more spirit than body. He looked at Kerrigan with the insolence of a prince.

"Yes?" He did not ask Kerrigan to sit down.

Kerrigan had planned a neat speech, somewhat humorous, cynical, patronizing, but it had fled from his memory. He felt a sort of vague terror, as though this man were probing, uninvited, inside his soul and mind.

"I heard--down-town--" he muttered.

"Yes!" the monk said impatiently. "What do you want me to do?"

"I wondered, Mr.--ah, Mr.--"

"Brother Sergius!"

"I wondered, Brother Sergius, if it were possible to hold converse--or see--or have some communication--some certain communication--with a person who 's been dead some time, some fourteen years--"

The monk was looking at him keenly. What had this well-fed business man, with the sweeping mustache and obviously massaged face, to do with the dim inhabitants of Death?

"How did this man die?" the monk Sergius asked.

"By accident," Matthew Kerrigan answered. "He drowned himself."

"What interest have you in him?"

"They say he killed himself on account of me," Kerrigan's voice broke out as though he were pleading to a judge. "It's not true!"

"You don't know whether it's true or not?" The Greek monk was studying Kerrigan's terrified features.

"Can it be done?" Kerrigan was surprised at himself, so hoarse his voice sounded, so sincere his tones. "I must know about it. Can it be done?"

"It can be done." The monk nodded.

"If there 's any fee--" Kerrigan suggested.

"There is no fee." The monk laughed contemptuously. "I act for the good of souls, when it is necessary." He watched Kerrigan intently for some minutes. "On Monday morning--at two in the morning--if the weather is clear, I will send for you. Leave your name and address with the butler." And he turned again to the book he was reading, oblivious of Kerrigan, as a great lord might be of the peasant standing awkward and awe-stricken in his presence.

Financial agents admire Matthew Kerrigan. He is the sort of person who gives them no trouble. They are more cordial toward him than they are toward great bankers or great Wall Street men. For great bank-presidents and stock-manipulators wage terrific and lyrical battles on the terrain of commerce, and though there are great Leipzigs and Jenas, there are also great Waterloos. But Kerrigan is safe. He takes no chances. His factories in Yonkers purr, day in, day out, making by the million that simple fastening device for women's corsets that has made him several fortunes.

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