Li Sin studied him for a few minutes silently.
"Dr. Gray," he said simply, "you will pardon a man who is twenty years older than you, and who has seen much of the world and much of life, but--that is not what happened. Dr. Gray, how did Dreghorn die?"
He continued looking at the young surgeon. The man was evidently under a great strain.
"I know Miss Johns," Li Sin went on, "and I knew Dreghorn."
"If you know Miss Johns," the young surgeon blurted out suddenly, "you know the best and most beautiful woman I have ever seen; and if you knew Dreghorn, you knew the damnedest scoundrel unhanged."
"That, too, I know," said Li Sin.
He waited an instant. The surgeon was uncomfortably silent.
"Dr. Gray," the Manchu insisted, "of what did Dreghorn die?"
"If you want to know, and have the right to know," Gray burst out savagely, "the man died because he had contracted the most virulent case of leprosy I have ever seen in the tropics. How he did it, God only knows. He was quite well when he left New York except for a rash on his left hand. He must have been impregnated with some horrible virus. In a few days I had to manacle him in his cabin. For a week the man was a shrieking maniac. I thought something might be done when we got to port. There was no chance. In Algiers they would have put him in the leper colony. So one night I took him up to the boat-deck and let him go overboard."
There was an instant's silence.
"I knew of the man," the doctor said bitterly, "and I can't even pray to God for his soul!"
"But I must!" said Li Sin.
"You will go up and see Miss Johns," the surgeon reminded him. "She will get over it."
"She will get over it, and be happy, and marry a good man," the Manchu told him. "I will go to see her." And they parted.
He went upstairs to his apartment, very slowly, very calmly. He sat down and thought for a while. Softly he clapped his hands. The silent Cantonese came.
"Hong Kop," he asked, "tell me, Hong Kop, you who are young, how does love come?"
In fluting, sibilant Cantonese the servant answered:
"There is beauty," he said, "and it calls to manliness with the call of cymbals. They meet and wing upward, as Chung Tzu wrote, 'like a hymn recited softly at the death of day.'"
"There is beauty, and there is manliness!" the Manchu mused. "There is Irene Johns, and there is--" He smiled an instant, and became as grave as ever again. "You will go to Brooklyn, to the Navy Yard, Hong Kop, and you will find for me an ensign called Nelson. You will find where he is, Hong Kop....
"I am getting old, Hong Kop, I am getting old. The pear gardens of Tientsin are bursting into silver and mauve. Birds from the outer sea are winging northward. Again with the spring the musicians tune their lutes of jade. The throbbing chords do not awaken me, Hong Kop. Hong Kop, I am old."
He rose wearily.
"Call the gray limousine, Hong Kop," he directed, "and then go on your errand."
He stretched his arms out for his fur coat, but suddenly he remembered something. He went upstairs to the glass-roofed laboratory; taking a parcel from a bronze chest, and unwrapping the antiseptic-soaked coverings, he brought out a book, a broad, thin book, the stiff parchment pages of which were edged with gold. Carefully he lighted the muffle-furnace, and carefully he placed the volume in it. And while he waited for the volume to be consumed, softly he began to recite a quatrain from it, a quatrain of Ling Tai Fu's:
"White is the hibiscus tree with fluttering blossoms, white as they! But whiter than it is the snow which numbs its roots in the ground! White are the men of the North as the sun, white as light! And yet--whiter than white is the leper."
"IRISH"
Eastward the line of Twenty-fourth Street flowed evenly like a sluggish river, hazy, dim, antique, mottled by the lights of the little shops, of blotches and shafts of yellow illumination from the glass panels of the old houses, iron railings, and small scrofulous gardens. Past the old houses, at the juncture of Seventh Avenue and the street, came an irregular blaze, a sort of ocher ray from a cellar where an Italian had a coal, ice, and wood business; the glare of the cigar store; the thin ray of the news-stand kept by the fat, rather dirty old German woman; the pale, sinister windows of the Chinese restaurant, and the arrogant blaze from Slavin's saloon.
At no time did the street appear so well as it did now, in the dusk of the early New York spring. The darkness, which was not full darkness but a sort of blue mantle, threw a veil of illusion over it, and through the veil the lights came softly. Before the dusk it was crude realism, and when night fell there would be sinister shadows. But now it had a little beauty. It was like a picture a painter might have done some centuries ago, an unimportant and rather brutal picture, and time and grime and proper lighting had given it such value that one would pause before it for an instant, not knowing why the charm.
The old man sitting in the doorway of one of the little houses with the yellowish patch of grass surrounded by a warped iron railing hated the street, with the dull, cold hatred of old men. Yet he could n't get away from it. Often his son had suggested, and his wife when she was alive had suggested that they move to the country. "Yerra, do ye call that country?" he had snarled at the mention of Westchester, and Long and Staten islands; and that had killed the suggestion and they had tried to have him move up-town, to Harlem, but, "Yerra, what would I be doing up there?" he had rasped. The son had spoken of the pleasant places in Brooklyn, out Flatbush way. "Yerra, is it Brooklyn?" What impression he had of that worthy borough is hard to imagine, but he spoke with devastating contempt.
The truth was, the old man was wedded to Twenty-fourth Street. He was like some of his race who have ancient, uncomely wives whom they despise and hate but without whom they cannot live. There was the place it was fated for him to be. There was the shop where he got shaved every morning. There was the saloon where he had his three drinks a day, regular as the clock--one before lunch, one before dinner, and one before he went to bed. There was the news-stand where he snapped the daily paper from the hands of the old German woman. If an elevated train on Seventh Avenue were late, he would notice it. He had decided to be there, and there he remained.
To the eye the old man was a forbidding, a cold figure. It was more this forbidding and cold quality that made him old, rather than years. He could not have been much over fifty. But this fixity of habit, this impression of being a monument, had endowed him with antiquity. He was not a big man, but he gave the impression of size, of importance. His hair was gray, and that gave him dignity. His eye was of a colorless, aloof blue, the blue of ice. His gaunt, clean-shaven face had something ecclesiastical about it. His clothes were always a decent and expensive black, and a heavy gold watch-chain spanned his vest. He had always a stick by his side. His shoes were good and roomy, and somewhat old-fashioned. His hat was of black, hard felt, not a derby, nor yet a high hat, but one of those things that suggest property and respectability, and somehow land. His name was Mr. McCann.
The social standing of Mr. McCann on Twenty-fourth Street was something of a phenomenon. Every one accorded him a sort of a terrified respect. The Italian coal-and-wood man; the German newsdealer; the man in the cigar store where he indulged in his only vulgarity, plug tobacco, which he cut with a penknife and crumbled in the palm of his hand; the bartender in Slavin's who fixed his drinks to a nicety and had a cheery and respectful "Well, Mr. McCann?" for his each entry. The street recognized he was of them, but immensely superior. He was not a gentleman, so the respect was not from caste to caste but something much more real. None ever became familiar with him, nor would any sane man think of insulting him. Aloof and stern, with terrible dignity, he moved through the street. Even the children hushed as he drew near.
None in the street ever examined their hearts or minds as to why he was paid their tribute of respect. If they had they would have found no reason for it, but they would have paid it to him all the same. He was Mr. McCann.
And this was all the more strange because he was father of Irish Mike McCann, between whom and the middle-weight boxing championship of the world there stood only two men. Irish they loved; were proud of. But it was n't to the father of Irish that the respect was paid. It was to Mr. McCann.
A very strange thing about Mr. McCann was this: that he could only know time and space and circumstances in relation to himself. As thus: Seventh Avenue was not Seventh Avenue to him, a muscular, grimy street that plodded for a space on the west side of Manhattan, crashed northward through the Twenties, galloped toward Forty-second, crossed Broadway recklessly, and at Fifty-ninth met the armed front of the park, died. To Mr. McCann it was only an artery that crossed his street. Also, winter was not winter, not the keenness of frost, the tumbling, swirling miracle of the snow, but just the time when he put on his overcoat. Nor did summer mean the blossoming of the boughs to him nor the happy population on the river and the beach, and the little Italians with their ice-cream carts, nor children crooning over great segments of watermelon, but just a time when it was oppressively hot. And great national events only marked points in his life. He would not say, for instance, that he was married about the time of the war with Spain, but that the Maine was sunk about the time he was married.