"You know, dears--" she hung her head--"I love this man."
"Do what your heart says, Reynardine," they gave her the precept they obeyed themselves with such success and chivalry. And they frowned the family frown. "If she can do so much with us, what can't she do with him!" they reasoned in their simple way. Alas! poor gentlemen!
There was an immensity of pride in Morgan's heart, apart from pride in his young wife, to be allied to a family such as the Fitzpauls. Twice they had refused duchies. They were so old they went back into the mists of Norman tradition. They had the quaint customs of their sort, and strange superstitions, such as all Irish families have--superstitions being but ancient mystic conceptions of nature, and customs observed so often through the centuries that their shadows became facts.
But of all quaint customs, their friendship to the fox was strangest of all. Their crest was a fox courant, and over no square foot of their lands could a fox be hunted. Great horsemen they were, but none had ever followed the hounds in a hunt. Perhaps some old Fitzpaul, seeing all people concentrated on ridding the land of the fox, had pitied the little red hunted one, and given it protection. Perhaps by some accident of border warfare a fox had deflected the chase from a hunted Fitzpaul and so earned the family gratitude. Perhaps this. Perhaps that. What did it matter?
Yes, a quaint observance, this trait of the Fitzpauls. An idiosyncrasy, a person might put it, such as a woman's objection to mice, or the energy of Henry Bergh--God rest him!--who fought that the law should protect horses from maltreatment. But what was queerer still, was their power over the foxes. Foxes greeted a Fitzpaul joyously, barking and wagging their tails like dogs--foxes, the most suspicious of all animals of the field. The Fitzpauls had some strange rhythmic power over foxes, as some people have over dogs. And yet, though this was mysterious, it was not so immensely mysterious. Some trainers are born with power over man-eating tigers, some men can handle snakes, some can sooth stampeding cattle. Morgan remembered hearing his father speak of Whistler Sullivan, who was called in when all hope of breaking a horse was gone. A mean, ferret-faced man, he would steal into the stall where a man-eating horse was tied and hackled, closing the door behind him, and a half-hour later he would bring the horse out. The horse would be coved and dripping with sweat, and never afterward would it balk or bolt or rear. And the Whistler had never laid a hand on him. He had only talked or hissed. People were afraid of the Whistler; the peasantry declared he had bargained his soul with the devil; but he had only power over horses, as the Fitzpauls had over the foxes of the field.
Well, that was all explicable, within the range of human knowledge. It was extraordinary, but that was all. But there was an eerier thing yet about that family. Other families had their banshees, their ghostly pipes, their drummers on battlements to portend or announce approaching death. But when a Fitzpaul died,--so went the tradition, so it had been attested by living men, so it had happened within a wheen of years,--the lawns were peopled with foxes at the dusk of day. Not spectral things, but foxes of the field and wood who gathered to bid their protectors God-speed on their strange, strange journey. They knew of death as bee-keepers say bees know. They made no sound but for the rustle of the grass and the faint thudding of their pads. But they were there. And a passing peasant might see them and raise his hat.
"God be good to the Fitzpauls," he would pray. "'T is they are good to the poor!"
A strange thing that of the foxes, a thing not understood. How little, after all did we know of animals! But to blazes with that! Morgan swore. Animals were n't here to be understood. Animals were here to be used, a horse to be ridden; a hound to hunt with; a fox to be chased to the death--as he was here to ride and hunt and chase to-day; as he had done always; as he had done when Reynardine, his wife, lived....
A bird rose shrieking from the copse, and suddenly a hound gave tongue, and then another, and then the pack cried as one dog. There was a blast of the horn.
"Gone away!" came the cheer of the huntsman. "Away! Away!"
Then fifty horses thundered.
IV
First there was the minute red flash of the fox, slipping through the furze like a serpent, then the dappled flood of hounds, tails up, giving tongue like bells, then the master of the hunt on his great brown steeplechaser, then the huntsman, gay in pink, leather-faced with puckered eyes, on his little black mare. Then came the bunched hunt, the crash of ditches, the crackle of brambles, the thunder over turf, the _splosh-splosh_ over plowed land. There was the cheering of the country-side.
There a woman was down at a fence and men stopped to help her. There a riderless horse went by, mane tossing, stirrups flying. Now a groan, now a curse. The country-side flew by as in a motion picture. Patch of brown, patch of green, patch of gray, like a crazy-quilt. The crack of hunting crops, the _ppk_ of spurs. "Tally-ho, boys! tally-ho! On hounds! On!"
Morgan with certainty crept ahead of the field, not a hundred yards behind master and huntsman. Beneath him the great gray moved like a steam-engine. A little steadying forward, a rush and a thud, and they were over. Now a ditch was taken with a clatter, now a fence cleared nicely, now through a blackthorn hedge, Morgan's arm up to protect his eyes. Five minutes! Seven. Eight minutes! Nine. Ten, by the Lord Harry! And suddenly they were at Kyle na Maroo--Dead Men's Wood. And the hounds were sniffing, wailing, at check.
An old earth-stopper, wizened, purple-lipped, like a grave-digger of "Hamlet," appeared like a troll.
"Into the wood he went, your Honor," he addressed the master. "Into the wood the Red One went, your Honor, like a man diving into his own house."
"Are all the holes stopped, Mickey Dan?"
"Stopped is it, your Honor. Sure they 're stopped as if they were the burrows of the devil himself and the saints to be out hunting him on the judgment-day. Stopped is it? Sure, a worm itself could n't get in or out of them the way I 'm after stopping them with interest and grand care--"
"All right, Mickey Dan!" The master interrupted. "Hoick in!" He ordered the huntsmen.
"Leu in, boys, leu in. Tinker! David! Dermot! Ranger! Tally in, beauties! Tally in!"
Morgan pulled up his hunter and turned around to watch the field come up, no longer bunched, but straggling now. The burst to check had been too much for them. His horse was still fresh, his seat easy. He had done a notable thing, following so closely on the master's mount--the great racer that had won the Grand National--and the huntsman's mare, fleet as a greyhound, with so little weight up. Morgan desired a word of commendation, even a look of envy. But they took no notice of him. He might have been some old fox-hunter, invisible, long dead, riding a specter horse, over some well-remembered run, for all the attention they paid him. To them he was n't there; he did n't exist.
And because of Reynardine.
And what had he done to Reynardine? It was n't his fault. It was hers. She was in love with him, and then she turned and was not. Was it his fault that a woman was fickle?
Yes, she was in love with him. He could even yet see her dark murmuring eyes in the golden light of the candles, as she set there in her white frock and sang to him, her beautifully cut ivory hands plucking haunting melody from a pianoforte as from some old-time clavichord.
"Sun and dark I followed her, Her eyes did brightly shine: She took me o'er the mountains, Did my sweet Reynardine. If by chance you look for me Perhaps you'll not me find--"
Oh, damn! What did she ever come into his life for, anyway! She didn't want a man. She wanted a poet. Crazy! That's what she was, crazy as a coot. He supposed her daughter--their daughter--was as crazy as she!
First of all there 'd been the trouble about the hunting. She never said a word about it, but her face had blanched the first morning he saddled up for the Lonth. She had expected him, he laughed, to have the same crazy notions as her family. And her face had been drawn with pain when he came back in the evening. And she had said nothing. Too proud. Too damn crazy and too proud!
That evening he had asked her to play "Reynardine"--not that he liked the tune; he'd rather have had something popular, something with body to it, none of your blasted wailing folk-songs. But he just thought it might please her to have him ask. She shook her head, and plunged into Chopin.
"I don't think I could play--'Reynardine'--to-night," she said.
And she had never played or sung "Reynardine" to him again.
She and her folk had such darn queer notions. They thought more of a horse under them than themselves. They went to infinite pains and immense time to train a green horse or break in a dog where another person with a flick of spurs or, a crack of the whip could do it in half the time. True, they did it well. But, after all, you did n't make human friendships with animals. You made them do what you wanted to; or if they did n't-- That was a man's way.