To touch the posteriors lewdly with the finger, that is, the middle finger put forth and the two adjoining fingers bent down, so that the hand might form a sort of Priapus, was an obscene sign to attract catamites. That this position of the fingers was an indecent symbol is attested by numerous passages in the classical writers. “He would extend his hand, bent into an obscene posture, for them to kiss,” Suetonius, Caligula, 56. It may be added that one of that emperor’s officers assassinated him for insulting him in that manner. When this finger was thus applied it signified that the person was ready to sodomise him whom he touched. The symbol is still used by the lower orders.
“We are informed by our younger companions that gentlemen given to sodomitical practices are in the habit of frequenting some public place, such as the Pillars of the County Fire Office, Regent St., and placing their hands behind them, raising their fingers in a suggestive manner similar to that mentioned by our epigrammatist. Should any gentleman place himself near enough to have his person touched by the playful fingers of the pleasure-seeker, and evince no repugnance, the latter turns around and, after a short conversation, the bargain is struck. In this epigram, however, Martial threatens the eye and not the anus.” The Romans used to point out sodomites and catamites by thus holding out the middle finger, and so it was used as well in ridicule (or chaff, as we say) as to denote infamy in the persons who were given to these practices.
“If anyone calls you a catamite, Sextillus,” says Martial, ii, 28, “return the compliment and hold out your middle finger to him.” According to Ramiresius, this custom was still common in the Spain of his day (1600), and it still persists in Spanish and Italian countries, as well as in their colonies. This position of the fingers was supposed to represent the buttocks with a priapus inserted up the fundament; it was called “Iliga,” by the Spaniards. From this comes the ancient custom of suspending little priapi from boys’ necks to avert the evil eye.
Aristophanes, in the “Clouds,” says:
SOCRATES: First they will help you to be pleasant in company, and to know what is meant by OEnoplian rhythm and what by the Dactylic.
STREPSIADES: Of the Dactyl (finger)? I know that quite well.
SOCRATES: What is it then?
STREPSIADES: Why, ‘tis this finger; formerly, when a child, I used this one.
(Daktulos means, of course, both Dactyl (name of a metrical foot) and finger. Strepsiades presents his middle finger with the other fingers and thumb bent under in an indecent gesture meant to suggest the penis and testicles. It was for this reason that the Romans called this finger the “unseemly finger.”)
SOCRATES: You are as low minded as you are stupid.
[See also Suetonius: Tiberius, chapter 68.]
CHAPTER 138. “OEnothea brought out a leathern dildo.”
This instrument, made from glass, wax, leather, or other suitable material such as ivory or the precious metals (Ezekiel xvi, 17), has been known from primitive times; and the spread of the cult of Priapus was a potent factor in making the instrument more common in the western world. Numerous Greek authors make mention of it: Aristophanes, Lucian, Herondas, Suidas and others. That it was only too familiar to the Romans is shown by their many references to it: Catullus, Martial, the apostle Paul, Tertullian, and others.
Aristophanes, Lysistrata: (Lysistrata speaking) “And not so much as the shadow of a lover! Since the day the Milesians betrayed us, I have never once caught sight of an eight-inch-long dildo even, to be a leathern consolation to us poor widows.” Her complaint is based upon the fact that all the men were constantly absent upon military duty and the force of the play lies in her strategic control of a commodity in great demand among the male members of society. Quoting again from the same play: Calonice: “And why do you summon us, Lysistrata dear? What is it all about?” Lysistrata: “About a big affair.” Calonice: “And is it thick, too’?” Lysistrata: “Indeed it is, great and big too.” Calonice: “And we are not all on the spot!” Lysistrata: “Oh! If it were what you have in mind, there would never be an absentee. No, no, it concerns a thing I have turned about and about, this way and that, for many sleepless nights.” When the plot has been explained, viz.: that the women refuse intercourse to their husbands until after peace has been declared--Calonice: “But suppose our poor devils of husbands go away and leave us”’ Lysistrata: “Then, as Pherecrates says, ‘we must flay a skinned dog,’ that’s all.”
Lucian, Arnoures, says: “but, if it is becoming for men to have intercourse with men, for the future let women have intercourse with women. Come, O new generation, inventor of strange pleasures! as you have devised new methods to satisfy male lust, grant the same privilege to women; let them have intercourse with one another like men, girding themselves with the infamous instruments of lust, an unholy imitation of a fruitless union.”
Herondas, Mime vi:
KORITTO | Two women friends METRO | A Female Domestic.
Time, about 300 B. C.
Scene, Koritto’s sitting room.
KORITTO: (Metro has just come to call) Take a seat, Metro; (to the slave girl) Get up and get the lady a chair; I have to tell you to do everything; you’re such a fool you never do a thing of your own accord. You’re only a stone in the house, you’re not a bit like a slave except when you count up your daily allowance of bread: you count the crumbs when you do that, though, and whenever the tiniest bit happens to fall upon the floor, the very walls get tired of listening to your grumbling and boiling over with temper, as you do all day long--now, when we want to use that chair you’ve found time to dust it off and rub up the polish --you may thank the lady that I don’t give you a taste of my hand.
METRO: You have as hard a time as I do, Koritto, dear--day and night these low servants make me gnash my teeth and bark like a dog, just like they do you.--But I came to see you about--(to the slave girl) get out of here, get out of my sight, you trouble maker, you’re all ears and tongue and nothing else, all you do is to sit around Koritto--dear, now please don’t tell me a fib, who stitched that red dildo of yours?
KORITTO: Metro, where did you see that?
METRO: Why Nossis, the daughter of Erinna, had it three days ago. Oh but it was a beauty!
KORITTO: So Nossis had it, did she? Where did she get it, I wonder?
METRO: I’m afraid you’ll say something if I tell you.
KORITTO: My dear Metro, if anybody hears anything you tell me, from Koritto’s mouth, I hope I go blind.
METRO: It was given to her by Eubole of Bitas, and she cautioned her not to let a soul hear of it.
KORITTO: That woman will be my undoing, one of these days; I yielded to her importunity and gave it to her before I had used it myself, Metro dear, but to her it was a godsend--, now she takes it and gives it to some one who ought not to have it. I bid a long farewell to such a friend as she; let her look out for another friend instead of me. As for Nossis, Adrasteia forgive me. I don’t want to talk bigger than a lady should--I wouldn’t give her even a rotten dildo; no, not even if I had a thousand!
METRO: Please don’t flare up so quickly when you hear something unpleasant. A good woman must put up with everything. It’s all my fault for gossiping. My tongue ought to be cut out; honestly it should: but to get back to the question I asked you a moment ago: who stitched the dildo? Tell me if you love me! What makes you laugh when you look at me? What does your coyness mean? Have you never set eyes on me before? Don’t fib to me now, Koritto, I beg of you.
KORITTO: Why do you press me so? Kerdon stitched it.
METRO: Which Kerdon? Tell me, because there are two Kerdons, one is that blue-eyed fellow, the neighbor of Myrtaline the daughter of Kylaithis; but he couldn’t even stitch a plectron to a lyre--the other one, who lives near the house of Hermodorus, after you have left the street, was pretty good once, but he’s too old, now; the late lamented Kylaithis--may her kinsfolk never forget her--used to patronize him.
KORITTO: He’s neither of those you’ve mentioned, Metro; this fellow is bald headed and short, he comes from Chios or Erythrai, I think--you would mistake him for another Prexinos, one fig could not look more like another, but just hear him talk, and you’ll know that he is Kerdon and not Prexinos. He does business at home, selling his wares on the sly because everyone is afraid of the tax gatherers. My dear! He does do such beautiful work! You would think that what you see is the handiwork of Athena and not that of Kerdon! Do you know that he had two of them when he came here! And when I got a look at them my eyes nearly burst from their sockets through desire. Men never get--I hope we are alone --their tools so stiff; and not only that, but their smoothness was as sweet as sleep and their little straps were as soft as wool. If you went looking for one you would never find another ladies’ cobbler cleverer than he!