Footnote 123:
Arab. "Mizr" or "Mizar;" vulg. Búzah; hence the medical Lat. Buza, the Russian Buza (millet beer), our "booze," the O. Dutch "buyzen" and the German "busen." This is the old ποθὸς θεῖος of negro and negroid Africa; the beer of Osiris, of which dried remains have been found in jars amongst Egyptian tombs. In Equatorial Africa it is known as "Pombe;" on the Upper Nile "Merissa" or "Mirisi" and amongst the Kafirs (Caffers) "Tshuala," "Oala" or "Boyala:" I have also heard of "Buswa" in Central Africa which may be the origin of "Buzah." In the West it became ζῦθος, (Romaic πίῤῥα), Xythum and cerevisia or cervisia, the humor ex hordeo, long before the days of King Gambrinus. Central Africans drink it in immense quantities: in Unyamwezi the standing bedsteads, covered with bark-slabs, are all made sloping so as to drain off the liquor. A chief lives wholly on beef and Pombe which is thick as gruel below. Hops are unknown: the grain, mostly Holcus, is made to germinate, then pounded, boiled and left to ferment. In Egypt the drink is affected chiefly by Berbers, Nubians and slaves from the Upper Nile; but it is a superior article and more like that of Europe than the "Pombe." I have given an account of the manufacture in The Lake Regions of Central Africa, vol. ii., p. 286. There are other preparations, Umm-bulbul (mother nightingale), Dinzáyah and Súbiyah, for which I must refer to the Shaykh El-Tounsy.
Footnote 124:
There is a terrible truth in this satire, which reminds us of the noble dame who preferred to her handsome husband the palefrenier laid, ord et infâme of Queen Margaret of Navarre (Heptameron No. xx.) We have all known women who sacrificed everything despite themselves, as it were, for the most worthless of men. The world stares and scoffs and blames and understands nothing. There is for every woman one man and one only in whose slavery she is "ready to sweep the floor." Fate is mostly opposed to her meeting him but, when she does, adieu husband and children, honour and religion, life and "soul." Moreover Nature (human) commands the union of contrasts, such as fair and foul, dark and light, tall and short; otherwise mankind would be like the canines, a race of extremes, dwarf as toy-terriers, giants like mastiffs, bald as Chinese "remedy dogs," or hairy as Newfoundlands. The famous Wilkes said only a half-truth when he backed himself, with an hour's start, against the handsomest man in England; his uncommon and remarkable ugliness (he was, as the Italians say, _un bel brutto_), was the highest recommendation in the eyes of very beautiful women.
Footnote 125:
Every Moslem burial-ground has a place of the kind where honourable women may sit and weep unseen by the multitude. These visits are enjoined by the Apostle:—Frequent the cemetery, 'twill make you think of futurity! Also:—Whoever visiteth the graves of his parents (or one of them) every Friday, he shall be written a pious son, even though he might have been in the world, before that, a disobedient. (Pilgrimage ii., 71.) The buildings resemble our European "mortuary chapels." Saíd, Pasha of Egypt, was kind enough to erect one on the island off Suez, for the "use of English ladies who would like shelter whilst weeping and wailing for their dead." But I never heard that any of the ladies went there.
Footnote 126:
Arab. "Ajal"=the period of life, the appointed time of death: the word is of constant recurrence and is also applied to sudden death. See Lane's Dictionary, s.v.
Footnote 127:
"The dying Badawi to his tribe" (and lover) appears to me highly pathetic. The wild people love to be buried upon hill-slopes whence they can look down upon the camp; and they still call out the names of kinsmen and friends as they pass by the grave-yards. A similar piece occurs in Wetzstein (p. 27, "Reisebericht ueber Hauran," etc.):—
O bear with you my bones where the camel bears his load ✿ And bury me before you, if buried I must be; And let me not be buried 'neath the burden of the vine ✿ But high upon the hill whence your sight I ever see! As you pass along my grave cry aloud and name your names ✿ The crying of your names shall revive the bones of me: I have fasted through my life with my friends, and in my death, ✿ I will feast when we meet, on that day of joy and glee.
Footnote 128:
The Akásirah (plur. of Kasrá=Chosroës) is here a title of the four great dynasties of Persian Kings. 1. The Peshdadian or Assyrian race, proto-historics for whom dates fail; 2. The Káyánián (Medes and Persians) who ended with the Alexandrian invasion in B.C. 331; 3. The Ashkánián (Parthenians or Arsacides) who ruled till A.D. 202; and 4. The Sassanides which have already been mentioned. But strictly speaking "Kisri" and "Kasra" are titles applied only to the latter dynasty and especially to the great King Anushirwan. They must not be confounded with "Khusrau" (P.N. Cyrus, Ahasuerus? Chosroës?); and yet the three seem to have combined in "Cæsar," Kaysar and Czar. For details especially connected with Zoroaster see vol. I, p. 380 of the Dabistan or School of Manners, translated by David Shea and Anthony Troyer, Paris, 1843. The book is most valuable, but the proper names are so carelessly and incorrectly printed that the student is led into perpetual error.
Footnote 129:
The words are the very lowest and coarsest; but the scene is true to Arab life.
Footnote 130:
Arab. "Hayhát:" the word, written in a variety of ways is onomatopoetic, like our "heigh-ho!" it sometimes means "far from me (or you) be it!" but in popular usage it is simply "Alas."
Footnote 131:
Lane (i., 134) finds a date for the book in this passage. The Soldan of Egypt, Mohammed ibn Kala'ún, in the early eighth century (Hijrah=our fourteenth), issued a sumptuary law compelling Christians and Jews to wear indigo-blue and saffron-yellow turbans, the white being reserved for Moslems. But the custom was much older and Mandeville (chapt. ix.) describes it in A.D. 1322 when it had become the rule. And it still endures; although abolished in the cities it is the rule for Christians, at least in the country parts of Egypt and Syria. I may here remark that such detached passages as these are absolutely useless for chronology: they may be simply the additions of editors or mere copyists.
Footnote 132:
The ancient "Mustapha"=the Chosen (prophet, _i.e._ Mohammed), also titled Al-Mujtabá, the Accepted (Pilgrimage, ii., 309). "Murtazá"=the Elect, _i.e._ the Caliph Ali is the older "Mortada" or "Mortadi" of Ockley and his day, meaning "one pleasing to (or acceptable to) Allah." Still older writers corrupted it to "Mortis Ali" and readers supposed this to be the Caliph's name.
Footnote 133:
The gleam (zodiacal light) preceding the true dawn; the Persians call the former Subh-i-kázib (false or lying dawn) opposed to Subh-i-sádik (true dawn) and suppose that it is caused by the sun shining through a hole in the world-encircling Mount Kaf.
Footnote 134:
So the Heb. "Arún"=naked, means wearing the lower robe only;=our "in his shirt."
Footnote 135:
Here we have the vulgar Egyptian colloquialism "Aysh" (= Ayyu shayyin) for the classical "Má" = what.
Footnote 136:
"In the name of Allah!" here said before taking action.
Footnote 137:
Arab. "Mamlúk" (plur. Mamálik) lit. a chattel; and in The Nights a white slave trained to arms. The "Mameluke Beys" of Egypt were locally called the "Ghuzz." I use the convenient word in its old popular sense;
'Tis sung, there's a valiant Mameluke In foreign lands ycleped (_Sir Luke_)—
HUDIBRAS.
And hence, probably, Molière's "Mamamouchi"; and the modern French use "Mamaluc." See Savary's Letters, No. xl.
THE PORTER AND THE THREE LADIES OF BAGHDAD.
Once upon a time there was a Porter in Baghdad, who was a bachelor and who would remain unmarried. It came to pass on a certain day, as he stood about the street leaning idly upon his crate, behold, there stood before him an honourable woman in a mantilla of Mosul[138] silk, broidered with gold and bordered with brocade; her walking-shoes were also purfled with gold and her hair floated in long plaits. She raised her face-veil[139] and, showing two black eyes fringed with jetty lashes, whose glances were soft and languishing and whose perfect beauty was ever blandishing, she accosted the Porter and said in the suavest tones and choicest language, "Take up thy crate and follow me." The Porter was so dazzled he could hardly believe that he heard her aright, but he shouldered his basket in hot haste saying in himself, "O day of good luck! O day of Allah's grace!" and walked after her till she stopped at the door of a house. There she rapped, and presently came out to her an old man, a Nazarene, to whom she gave a gold piece, receiving from him in return what she required of strained wine clear as olive oil; and she set it safely in the hamper, saying, "Lift and follow." Quoth the Porter, "This, by Allah, is indeed an auspicious day, a day propitious for the granting of all a man wisheth." He again hoisted up the crate and followed her; till she stopped at a fruiterer's shop and bought from him Shámi[140] apples and Osmáni quinces and Omani[141] peaches, and cucumbers of Nile growth, and Egyptian limes and Sultáni oranges and citrons; besides Aleppine jasmine, scented myrtle berries, Damascene nenuphars, flower of privet[142] and camomile, blood-red anemones, violets, and pomegranate-bloom, eglantine and narcissus, and set the whole in the Porter's crate, saying, "Up with it." So he lifted and followed her till she stopped at a butcher's booth and said, "Cut me off ten pounds of mutton." She paid him his price and he wrapped it in a banana-leaf, whereupon she laid it in the crate and said "Hoist, O Porter." He hoisted accordingly, and followed her as she walked on till she stopped at a grocer's, where she bought dry fruits and pistachio-kernels, Tihámah raisins, shelled almonds and all wanted for dessert, and said to the Porter, "Lift and follow me." So he up with his hamper and after her till she stayed at the confectioner's, and she bought an earthen platter, and piled it with all kinds of sweetmeats in his shop, open-worked tarts and fritters scented with musk and "soap-cakes," and lemon-loaves and melon-preserves,[143] and "Zaynab's combs," and "ladies' fingers," and "Kazi's tit-bits" and goodies of every description; and placed the platter in the Porter's crate. Thereupon quoth he (being a merry man), "Thou shouldest have told me, and I would have brought with me a pony or a she-camel to carry all this market-stuff." She smiled and gave him a little cuff on the nape saying, "Step out and exceed not in words for (Allah willing!) thy wage will not be wanting." Then she stopped at a perfumer's and took from him ten sorts of waters, rose scented with musk, orange-flower, water-lily, willow flower, violet and five others; and she also bought two loaves of sugar, a bottle for perfume-spraying, a lump of male incense, aloe-wood, ambergris and musk, with candles of Alexandria wax; and she put the whole into the basket, saying, "Up with thy crate and after me." He did so and followed until she stood before the greengrocer's, of whom she bought pickled safflower and olives, in brine and in oil; with tarragon and cream-cheese and hard Syrian cheese; and she stowed them away in the crate saying to the Porter, "Take up thy basket and follow me." He did so and went after her till she came to a fair mansion fronted by a spacious court, a tall, fine place to which columns gave strength and grace: and the gate thereof had two leaves of ebony inlaid with plates of red gold. The lady stopped at the door and, turning her face-veil sideways, knocked softly with her knuckles whilst the Porter stood behind her, thinking of naught save her beauty and loveliness. Presently the door swung back and both leaves were opened, whereupon he looked to see who had opened it; and behold, it was a lady of tall figure, some five feet high; a model of beauty and loveliness, brilliance and symmetry and perfect grace. Her forehead was flower-white; her cheeks like the anemone ruddy bright; her eyes were those of the wild heifer or the gazelle, with eyebrows like the crescent-moon which ends Sha'abán and begins Ramazán;[144] her mouth was the ring of Sulayman,[145] her lips coral-red, and her teeth like a line of strung pearls or of camomile petals. Her throat recalled the antelope's, and her breasts, like two pomegranates of even size, stood at bay as it were;[146] her body rose and fell in waves below her dress like the rolls of a piece of brocade, and her navel[147] would hold an ounce of benzoin ointment. In fine she was like her of whom the poet said:—