"That I do not know," said Charles rather gloomily.
"Then, pray, be so good-natured as to make an attempt to ascertain and you'll oblige me monstrously. Or stay--perhaps I had better inquire myself."
Mr. Ripple, observing that Mr. Lovely looked somewhat melancholy, patted him on the shoulder.
"Don't look so full of disapprobation, Charles. Inquisitiveness, with ordinary men and women, is a breach of good manners: with kings, it is a condescension. Dear me! how time runs!" the Beau continued, tripping from an epigram to a truism. "I will leave you to superintend the Country Dances. Let them be as Oriental as possible, I beg."
With this admonition the Great little Man threaded his way through the Exquisite Mob.
Charles d----d the country dances very devoutly. He was not enjoying the evening at all, and wished he were sitting in the cosy firelight of the _Blue Boar_, lulled by the whispers of playing cards, shuffled and dealt. Where could he raise that two hundred pounds he owed Vernon? Vernon--by G...! now he recognized those taper fingers. Vernon! they belonged to Vernon, he could swear to them. Too often had he watched their delicate harvesting of his guineas. He began to fret more than ever. Suddenly he noticed that everybody was looking in his direction, and became aware that time was indeed running and the moment for the Country Dances had arrived.
Meanwhile Mr. Ripple searched in vain for Phyllida and a Vis a Vis in brown and gold.
_Chapter the Seventeenth_
THE GRAND MINUET OF CATHAY
The Country Dances of these powderpuff Orientals were so truly inappropriate to the celebration that they almost succeeded in convincing by sheer want of fitness. Picture to yourselves two hundred blue and golden marionettes jigging to _Sir Roger de Coverley_ or bobbing to _Come Lasses and Lads_. There was Merry England underneath this hugger mugger of yellow masks, yet the sustained motion was decidedly Eastern. Hands across, back to back, right hand, left hand--each change of attitude was marked by a crashing gong; and he who sounded this barbarick instrument was Mr. Charles Lovely. He stood upon a tripod of ebony quite high enough for a hero of comedy, as I am sure you will admit.
As soon as his proconsulate was over, he jumped from the pedestal and, once more assuming our poor humanity, sought desperately for Mr. Vernon and Miss Phyllida Courteen.
And now the great ballroom was cleared. The Exquisite Mob refreshed itself not with chopsticks, but with two pronged forks and stout-handled knives. Nor was the fare ascetick rice, but pies of mutton, rounds of beef, custards, gay jellies and dappled puddings. In the ballroom the attendants busily ran hither and thither in preparation for the Grand Minuet of Cathay. Four pagodas guarded four corners; little bridges spanned little rivers of blue silk. There were miniature groves that shielded queer little Chinese gods and goddesses, while here and there were temples with crooked roofs, hung round with silver bells destined to be jingled at set moments of this incomparable minuet. High up near the ceiling among the swinging lanterns one saw the peaked faces of giant kites gazing benignly down. Finally in the very centre of the room was a small fountain with a pond all about it of real water, starred with white water lilies, on the highest jet of which a little god, inflated by air, jigged to the rise and fall of the water. Mr. Ripple had not been able to find Miss Courteen and was interrupted in his search by a call to inspect the scene of the Minuet. Gog was sent to fetch Mr. Lovely and presently the Gold Mandarin and the Blue Mandarin were stepping over each bridge, peering from each pagoda, gently trying the bells, lending a last touch to the rivers of silk and coming to a standstill in silent admiration of the dancing water-god.
"I think," said Mr. Ripple, "we may venture to proclaim, the Minuet of Cathay."
"I think so," said Mr. Lovely as he cast a quick eye in the direction of every entrance in turn.
"I could not find Miss Courteen," said the Beau, "have you had better luck?"
Lovely hesitated a moment.
"No," he said finally.
The Beau looked at him a moment.
"I cannot imagine who this Amor can be. He is not down in my list."
"Amor?" inquired Charles, somewhat too suddenly, "is his name Amor?"
"So the young lady informed me, when we considered the situation together. I perceive you know him."
"Indeed, sir, I am acquainted with no one of that name."
"I never imagined you were," replied the Beau testily. "'Tis too plainly a Nom d'amour; but I'll wager you are able to extract a personality from this pseudonym."
"Nay, indeed, I----"
"Very well," said the Beau, cutting him short, "there is no more to be said," and he turned away to order a burly Oriental who on less decorated occasions was wont to assist Mr. Balhatchett the butcher, to sound the gong of invitation.
While the huge sullen instrument boomed a diapason that threatened more than it cajoled, Charles wondered if he had been wise to conceal his knowledge of Mr. Amor's identity. Ripple had obviously not believed him and was moreover very sensitive to any concealment on the part of his subjects. He, as his own subaltern, was especially bound to indulge this foible. Besides, what good had he done? thought Charles. Not much indeed, for soon Ripple would certainly find out the whole affair. He ought to tell him all he knew. Ripple would act for the best and close the Pump Room against the intruder. It would be kill or cure.
But just as he was upon the point of informing the Great little Man, our hero remembered he owed Vernon two hundred pounds. O resolute hero! Be quick to mount your ebony pedestal or we shall think you no better than a walking gentleman.
The Exquisite Mob of crimped and corseted Orientals began to saunter back from supper, and the debate between honesty and honour was adjourned to a more meditative opportunity. By this hour of the evening most of the Masks were tolerably sure of each other's identity, and though it was an acknowledged custom of the Chinese Masquerade as opposed to other masked balls that all vizards should be worn from door to door, the Grand Minuet of Cathay afforded much scandalous talk for the ensuing days, all the more potent because a convention of anonymity was sedulously maintained. It was not surprizing that intrigue should flourish at a dance where half the company was hidden for many moments at a stretch. The Minuet lasted a whole hour. It reproduced in the various side-figures many emotions. It was a hundred dances in a grand Ensemble. The musick was now courtly, now passionate: sometimes it clanged in barbarick interludes of noise: sometimes but three or four flutes twittered above the plash of the fountain.
Over the bridges pattered the dancers: in and out of the diminutive groves twinkled their scarlet heels. Now a couple swayed in a stationary boat on a motionless river: now at the topmost window of a pagoda, cambrick handkerchief and painted fan kept time to the tune. The Gold Mandarin lived in a golden house beside the fountain and, if he chose, could live a century of sound and perfume in that fragrant hour of dancing. Far away at the other corner of the room lived the Blue Mandarin in a small house at the foot of a small volcano that ceaselessly puffed out clouds of incense. Wherever you went in that strange dance of dances some new delight assailed your senses.
Here, before a temple hung with silver bells, a dozen of these blue and golden dolls moved with grace and precision through many variations of the Minuet. They would carry away with them that night no more than a memory of bells and stately movement by the rosy light of many lanterns. Purged of all feeling save for correct gesture, the vizards seemed no more alive than their mirroured counterparts that moved with equal grace upside down in the polished floor of parquet.
But step over one of these bridges where false white flowers hang in scented clusters: go softly through that Bonbon grove, and there in an alcove fretted to the semblance of wrought ivory, you shall see two masks that are enraptured beneath a white moon-lantern, tracing the melody with long caresses. In one of these fanciful resorts, sat Vernon and Phyllida making love among the shadows, as in pairs and dainty quartetts the dancers darkened the carved portal when they passed. For Phyllida, the Assembly Rooms had been snatched up by some powerful magician and set down in a land of Ombres Chinoises. Many a time had she sat in the theatre and watched these silent black and white tragedies and comedies. Now she had joined that whimsical procession which capers across the draughty sheet. She recalled a particular entertainment of this character last December. First the Columbine had pirouetted across and made a light phantastick entrance into the shadow of the house at the extreme corner. Presently came the Pierrot with a lantern swaying atop of a tall pole. Up and down the sheet he had danced with incredible agility, until a Pulcinello shook his bells from the window of the house, and he floated away gathering giant size as he went. Then came Harlequin, dancing almost more beautifully than Pierrot, and a quiet murder was done in the laurel shadows round the house. Pierrot lay dead and Harlequin, the slim and debonair assassin had donned his vizard: Columbine wept a while until the lights were turned up, when everybody agreed that the whole performance was in the best of taste and vastly well executed.