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Love-at-arms : $b being a narrative excerpted from the chronicles of Urbino, during the dominion of the high and mighty Messer Guidobaldo da Montefeltro · Sabatini, Rafael

Section 37

He reflected--assured that he was right--that if Francesco had not come to Roccaleone, he might by now have been wed to Valentina; and once wed, he could throw down the bridge and march out of Roccaleone, assured that Gian Maria would not care to espouse his widow, and no less assured that Guidobaldo--who was at heart a kind and clement prince--would be content to let be what was accomplished, since there would be naught gained beyond his niece's widowhood in hanging Gonzaga. It was the specious argument that had lured him upon this rash enterprise, the hopes that he was confident would have fructified but for the interloping of Francesco.

He stood looking down at the tented plain, with black rage and black despair blotting the beauty from the sunlight of that May morning, and then it came to him that since there was naught to be hoped from his old plans, might it not be wise to turn his attention to new ones that would, at least, save him from hanging? For he was assured that whatever might betide the others, his own fate was sealed, whether Roccaleone fell or not. It would be remembered against him that the affair was of his instigating, and from neither Gian Maria nor Guidobaldo might he look for mercy.

And now the thought of extricating himself from his desperate peril turned him cold by its suddenness. He stood very still a moment; then looked about him as though he feared that some watching spy might read on him the ugly intention that of a sudden had leapt to life in his heart. Swiftly it spread, and took more definite shape, the reflection of it showing now upon his smooth, handsome face, and disfiguring it beyond belief. He drew away from the wall, and took a turn or two upon the ramparts, one hand behind him, the other raised to support his drooping chin. Thus he brooded for a little while. Then, with another of his furtive glances, he turned to the north-western tower, and entered the armoury. There he rummaged until he had found the pen, ink and paper that he sought, and with the door wide open--the better that he might hear the sound of approaching steps--he set himself feverishly to write. It was soon done, and he stood up, waving the sheet to dry the ink. Then he looked it over again, and this is what he had written:

“I have it in my power to stir the garrison to mutiny and to throw open the gates of Roccaleone. Thus shall the castle fall immediately into your hands, and you shall have a proof of how little I am in sympathy with this rebellion of Monna Valentina's. What terms do you offer me if I accomplish this? Answer me now, and by the same means as I am employing, but dispatch not your answer if I show myself upon the ramparts.

“ROMEO GONZAGA.”

He folded the paper, and on the back he wrote the superscription--“To the High and Mighty Duke of Babbiano.” Then opening a large chest that stood against the wall, he rummaged a moment, and at last withdrew an arbalest quarrel. About the body of this he tied his note. Next, from the wall he took down a cross-bow, and from a corner a moulinet for winding it. With his foot in the stirrup he made the cord taut and set the shaft in position.

And now he closed the door, and, going to the window, which was little more than an arrow-slit, he shouldered his arbalest. He took careful aim in the direction of the ducal tent, and loosed the quarrel. He watched its light, and it almost thrilled him with pride in his archery to see it strike the tent at which he had aimed, and set the canvas shuddering.

In a moment there was a commotion. Men ran to the spot, others emerged from the tent, and amongst the latter Gonzaga recognised the figures of Gian Maria and Guidobaldo.

The bolt was delivered to the Duke of Babbiano, who, with an upward glance at the ramparts, vanished into the tent once more.

Gonzaga moved from his eerie, and set wide the door of the tower, so that his eyes could range the whole of the sun-bathed ramparts. Returning to his window, he waited impatiently for the answer. Nor was his impatience to endure long. At the end of some ten minutes Gian Maria reappeared, and, summoning an archer to his side, he delivered him something and made a motion of his hand towards Roccaleone. Gonzaga moved to the door, and stood listening breathlessly. At the least sign of an approach, he would have shown himself, and thus, by the provision made in his letter have cautioned the archer against shooting his bolt. But all was quiet, and so Gonzaga remained where he was until something flashed like a bird across his vision, struck sharply against the posterior wall, and fell with a tinkle on the broad stones of the rampart. A moment later the answer from Gian Maria was in his hands.

He swiftly unwound it from the shaft that had brought it, and dropped the bolt into a corner. Then unfolding the letter, he read it, leaning against one of the merlons of the wall.

“If you can devise a means to deliver Roccaleone at once into my hands you shall earn my gratitude, full pardon for your share in Monna Valentina's rebellion, and the sum of a thousand gold florins.

“GIAN MARIA.”

As he read, a light of joy leapt to his eyes. Gian Maria's terms were very generous. He would accept them, and Valentina should realise when too late upon what manner of broken reed she leaned in relying upon Messer Francesco. Would he save her now, as he so loudly boasted? Would there indeed be no mutiny, as he so confidently prophesied? Gonzaga chuckled evilly to himself. She should learn her lesson, and when she was Gian Maria's wife, she might perhaps repent her of her treatment of Romeo Gonzaga.

He laughed softly to himself. Then suddenly he turned cold, and he felt his skin roughening. A stealthy step sounded behind him.

He crumpled the Duke's letter in his hand, and in the alarm of the moment, he dropped it over the wall. Seeking vainly to compose the features that a chilling fear had now disturbed, he turned to see who came.

Behind him stood Peppe, his solemn eyes bent with uncanny intentness upon Gonzaga's face.

“You were seeking me?” quoth Romeo, and the quaver in his voice sorted ill with his arrogance.

The fool made him a grotesque bow.

“Monna Valentina desires that you attend her in the garden, Illustrious.”

CHAPTER XIX. PLOT AND COUNTERPLOT

Peppe's quick eyes had seen Gonzaga crumple and drop the paper, no less than he had observed the courtier's startled face, and his suspicions had been aroused. He was by nature prying, and experience had taught him that the things men seek to conceal are usually the very things it imports most to have knowledge of. So when Gonzaga had gone, in obedience to Valentina's summons, the jester peered carefully over the battlements.

At first he saw nothing, and he was concluding with disappointment that the thing Gonzaga had cast from him was lost in the torrential waters of the moat. But presently, lodged on a jutting stone, above the foaming stream into which it would seem that a miracle had prevented it from falling, he espied a ball of crumpled paper. He observed with satisfaction that it lay some ten feet immediately below the postern-gate by the drawbridge.

Secretly, for it was not Peppy's way to take men into his confidence where it might be avoided, he got himself a coil of rope. Having descended and quietly opened the postern, he made one end fast and lowered the other to the water with extreme care, lest he should dislodge, and so lose, that paper.

Assuring himself again that he was unobserved, he went down, hand over hand, like a monkey, his feet against the rough-hewn granite of the wall. Then, with a little swinging of the rope, he brought himself nearer that crumpled ball, his legs now dangling in the angry water, and by a mighty stretch that all but precipitated him into the torrent, he seized the paper and transferred it to his teeth. Then hand over hand again, and with a frantic haste, for he feared observation not only from the castle sentries but also from the watchers in the besieger's camp, he climbed back to the postern, exulting in that he had gone unobserved, and contemptuous for the vigilance of those that should have observed him.

Softly he closed the wicket, locked it and shot home the bolts at top and base, and went to replace the key on its nail in the guard-room, which he found untenanted. Next, with that mysterious letter in his hand, he scampered off across the courtyard and through the porch leading to the domestic quarters, nor paused until he had gained the kitchen, where Fra Domenico was roasting the quarter of a lamb that he had that morning butchered. For now that the siege was established, there was no more fish from the brook, nor hares and ortolans from the country-side.

The friar cursed the fool roundly, as was his wont upon every occasion, for he was none so holy that he disdained the milder forms of objurgatory oaths. But Peppe for once had no vicious answer ready, a matter that led the Dominican to ask him was he ill.

Never heeding him, the fool unfolded and smoothed the crumpled paper in a corner by the fire. He read it and whistled, then stuffed it into the bosom of his absurd tunic.

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