“A little knowledge of history would afford you an answer. Such political alliances are daily made, and daily broken when more profit offers in another quarter. But cemented by marriage, the tie, whilst continuing political, becomes also one of blood. In the case of Urbino and Babbiano it enters also into consideration that I have no son. It might well be, Valentina,” he pursued, with a calculating coldness that revolted her, “that a son of yours would yet more strongly link the two duchies. In time both might become united under him into one great power that might vie successfully with any in Italy. Now leave me, child. As you see, I am suffering, and when it is thus with me, and this evil tyrant has me in its clutches, I prefer to be alone.”
There was a pause, and whilst his eyes were upon hers, hers were upon the ground in avoidance of his glance. A frown marred her white brow, her lips were set and her hands clenched. Pity for his physical ills fought a while with pity for her own mental torment. At last she threw back her beautiful head, and the manner of that action was instinct with insubordination.
“It grieves me to harass your Highness in such a season,” she assured him, “but I must beg your indulgence. These things may be as you say. Your plans may be the noblest that were ever conceived, since to their consummation would be entailed the sacrifice of your own flesh and blood--in the person of your niece. But I will have no part in them. It may be that I lack a like nobility of soul; it may be that I am all unworthy of the high station to which I was born, through no fault of my own. And so, my lord,” she ended, her voice, her face, her gesture, all imparting an irrevocable finality to her words, “I will not wed this Duke of Babbiano--no, not to cement alliances with a hundred duchies.”
“Valentina!” he exclaimed, roused out of his wonted calm. “Do you forget that you are my niece?”
“Since you appear to have forgotten it.”
“These woman's whims----” he began, when she interrupted him.
“Perhaps they will serve to remind you that I am a woman, and perhaps if you remember that, you may consider how very natural it is that, being a woman, I should refuse to wed for--for political ends.”
“To your chamber,” he commanded, now thoroughly aroused. “And on your knees beg Heaven's grace to help you to see your duty, since no words of mine prevail.”
“Oh, that the Duchess were returned from Mantua,” she sighed. “The good Monna Elizabetta might melt you to some pity.”
“Monna Elizabetta is too dutiful herself to do aught but urge you to dutifulness. There, child,” he added, in a more wheedling tone, “set aside this disobedient mood, which is unlike you and becomes you ill. You shall be wed with a splendour and magnificence that will set every princess in Italy green with envy. Your dowry is set at fifty thousand ducats, and Giuliano della Rovere shall pronounce the benediction. Already I have sent orders to Ferrara, to the incomparable Anichino, for the majestate girdle; I will send to Venice for gold leaf and----”
“But do you not heed me that I will not wed?” she broke in with passionate calm, her face white, her bosom heaving.
He rose, leaning heavily upon a gold-headed cane, and looked at her a moment without speaking, his brows contracted. Then:
“Your betrothal to Gian Maria is proclaimed,” he announced in a voice cold with finality. “I have passed my word to the Duke, and your marriage shall take place so soon as he returns. Now go. Such scenes as these are wearisome to a sick man, and they are undignified.”
“But, your Highness,” she began, an imploring note now taking the place that lately had been held by defiance.
“Go!” he blazed, stamping his foot, and then to save his dignity--for he feared that she might still remain--he himself turned on his heel and passed from the apartment.
Left to herself, she stood there a moment, allowed a sigh to escape her, and brushed an angry tear from her brown eyes. Then, with a sudden movement that seemed to imply suppression of her mood, she walked to the door by which she entered, and left the chamber.
She went down the long gallery, whose walls glowed with the new frescoes from the wonder-working brush of Andrea Mantegna; she crossed her ante-chamber and gained the very room where some hours ago she had received the insult of Gian Maria's odious advances. She passed through the now empty room, and stepped out on to the terrace that overlooked the paradise-like gardens of the Palace.
Close by the fountain stood a white marble seat, over which, earlier that day, one of her women had thrown a cloak of crimson velvet. There she now sat herself to think out the monstrous situation that beset her. The air was warm and balmy and heavy with the scent of flowers from the garden below. The splashing of the fountain seemed to soothe her, and for a little while her eyes were upon that gleaming water, which rose high in a crystal column, then broke and fell, a shower of glittering jewels, into the broad marble basin. Then, her eyes growing tired, they strayed to the marble balustrade, where a peacock strode with overweening dignity; they passed on to the gardens below, gay with early blossoms, in their stately frames of tall, boxwood hedges, and flanked by myrtles and tall cypresses standing gaunt and black against the deep saffron of the vesper sky.
Saving the splashing of the fountain, and the occasional harsh scream of the peacock, all was at peace, as if by contrast with the tumult that raged in Valentina's soul. Then another sound broke the stillness--a soft step, crunching the gravel of the walk. She turned, and behind her stood the magnificent Gonzaga, a smile that at once reflected pleasure and surprise upon his handsome face.
“Alone, Madonna?” he said, in accents of mild wonder, his fingers softly stirring the strings of the lute he carried, and without which he seldom appeared about the Court.
“As you see,” she answered, and her tone was the tone of one whose thoughts are taken up with other things.
Her glance moved away from him again, and in a moment it seemed as if she had forgotten his presence, so absorbed grew the expression of her face.
But Gonzaga was not easily discouraged. Patience was the one virtue that Valentina more than any woman--and there had been many in his young life--had inculcated into a soul that in the main was anything but virtuous. He came a step nearer, and leant lightly against the edge of her seat, his shapely legs crossed, his graceful body inclining ever so slightly towards her.
“You are pensive, Madonna,” he murmured, in his rich, caressing voice.
“Why then,” she reproved him, but in a mild tone, “do you intrude upon my thoughts?”
“Because they seem sad thoughts, Madonna.” he answered, glibly, “and I were a poor friend did I not seek to rouse you out of them.”
“You are that, Gonzaga?” she questioned, without looking at him. “You are my friend?”
He seemed to quiver and then draw himself upright, whilst across his face there swept a shade of something that may have been good or bad or partly both. Then he leant down until his head came very near her own.
“Your friend?” quoth he. “Ah, more than your friend. Count me your very slave, Madonna.”
She looked at him now, and in his countenance she saw a reflection of the ardour that had spoken in his voice. In his eyes there was a glance of burning intensity. She drew away from him, and at first he accounted himself repulsed, but pointing to the space she had left:
“Sit here beside me, Gonzaga,” she said quietly, and he, scarce crediting his own good fortune that so much favour should be showered upon him, obeyed her in a half-timid fashion that was at odd variance with his late bold words.
He laughed lightly, perhaps to cover the embarrassment that beset him, and dropping his jewelled cap, he flung one white-cased leg over the other and took his lute in his lap, his fingers again wandering to the strings.
“I have a new song, Madonna,” he announced, with a gaiety that was obviously forced. “It is in ottava rima, a faint echo of the immortal Niccolo Correggio, composed in honour of one whose description is beyond the flight of human song.”
“Yet you sing of her?”
“It is no better than an acknowledgment of the impossibility to sing of her. Thus----” And striking a chord or two, he began, a mezza voce:
“Quando sorriderán' in ciel Gli occhi tuoi ai santi--”
She laid a hand upon his arm to stay him.
“Not now, Gonzaga,” she begged, “I am in no humour for your song, sweet though I doubt not that it be.”
A shade of disappointment and ruffled vanity crossed his face. Women had been wont to listen greedily to his strambotti, enthralled by the cunning of the words and the seductive sweetness of his voice.
“Ah, never look so glum,” she cried, smiling now at his crestfallen air. “If I have not hearkened now, I will again. Forgive me, good Gonzaga,” she begged him, with a sweetness no man could have resisted. And then a sigh fluttered from her lips; a sound that was like a sob came after it, and her hand closed upon his arm.