The Slow Shelf · Library · Authors · Subjects · About

The Home Book of Verse — Volume 2 · Stevenson, Burton Egbert

Section 28

Ah, now soft blushes tinge her cheeks And mantle o'er her neck of snow: Ah, now she murmurs, now she speaks What most I wish - and fear to know!

She starts, she trembles, and she weeps! Her fair hands folded on her breast: - And now, how like a saint she sleeps! A seraph in the realms of rest!

Sleep on secure! Above control Thy thoughts belong to Heaven and thee: And may the secret of thy soul Remain within its sanctuary!

Samuel Rogers [1763-1855]

"THE YOUNG MAY MOON"

The young May moon is beaming, love, The glow-worm's lamp is gleaming, love; How sweet to rove Through Morna's grove, When the drowsy world is dreaming, love! Then awake! - the heavens look bright, my dear, 'Tis never too late for delight, my dear; And the best of all ways To lengthen our days Is to steal a few hours from the night, my dear!

Now all the world is sleeping, love, But the Sage, his star-watch keeping, love, And I, whose star More glorious far Is the eye from that casement peeping, love. Then awake! - till rise of sun, my dear, The Sage's glass we'll shun, my dear, Or in watching the flight Of bodies of light He might happen to take thee for one, my dear!

Thomas Moore [1779-1852]

"ROW GENTLY HERE"

Row gently here, My gondolier, So softly wake the tide, That not an ear, On earth, may hear, But hers to whom we glide. Had Heaven but tongues to speak, as well As starry eyes to see, Oh think what tales 'twould have to tell Of wandering youths like me!

Now rest thee here, My gondolier; Hush, hush, for up I go, To climb yon light Balcony's height, While thou keep'st watch below. Ah! did we take for Heaven above But half such pains as we Take, day and night, for woman's love, What angels we should be!

Thomas Moore [1779-1852]

MORNING SERENADE

Awake! the dawn is on the hills! Behold, at her cool throat a rose, Blue-eyed and beautiful she goes, Leaving her steps in daffodils. - Awake! arise! and let me see Thine eyes, whose deeps epitomize All dawns that were or are to be, O love, all Heaven in thine eyes! - Awake! arise! come down to me!

Behold! the dawn is up: behold! How all the birds around her float, Wild rills of music, note on note, Spilling the air with mellow gold. - Arise! awake! and, drawing near, Let me but hear thee and rejoice! Thou, who keep'st captive, sweet and clear, All song, O love, within thy voice! Arise! awake! and let me hear!

See, where she comes, with limbs of day, The dawn! with wild-rose hands and feet, Within whose veins the sunbeams beat, And laughters meet of wind and ray. Arise! come down! and, heart to heart, Love, let me clasp in thee all these - The sunbeam, of which thou art part, And all the rapture of the breeze! - Arise! come down! loved that thou art!

Madison Cawein [1865-1914]

SERENADE

Softly, O midnight Hours! Move softly o'er the bowers Where lies in happy sleep a girl so fair! For ye have power, men say, Our hearts in sleep to sway, And cage cold fancies in a moonlight snare. Round ivory neck and arm Enclasp a separate charm; Hang o'er her poised, but breathe nor sigh nor prayer: Silently ye may smile, But hold your breath the while, And let the wind sweep back your cloudy hair!

Bend down your glittering urns, Ere yet the dawn returns, And star with dew the lawn her feet shall tread; Upon the air rain balm, Bid all the woods be calm, Ambrosial dreams with healthful slumbers wed; That so the Maiden may With smiles your care repay, When from her couch she lifts her golden head; Waking with earliest birds, Ere yet the misty herds Leave warm 'mid the gray grass their dusky bed.

Aubrey Thomas De Vere [1814-1902]

LINES TO AN INDIAN AIR

I arise from dreams of thee In the first sweet sleep of night, When the winds are breathing low, And the stars are shining bright. I arise from dreams of thee, And a spirit in my feet Has led me - who knows how? To thy chamber window, sweet!

The wandering airs they faint On the dark, the silent stream; The champak odors fail Like sweet thoughts in a dream; The nightingale's complaint, It dies upon her heart, As I must die on thine, O beloved as thou art!

O lift me from the grass! I die, I faint, I fail! Let thy love in kisses rain On my lips and eyelids pale. My cheek is cold and white, alas! My heart beats loud and fast; Oh! press it close to thine again, Where it must break at last.

Percy Bysshe Shelley [1792-1822]

GOOD-NIGHT

Good-night? ah! no; the hour is ill Which severs those it should unite; Let us remain together still, Then it will be good night.

How can I call the lone night good, Though thy sweet wishes wing its flight? Be it not said, thought, understood, Then it will be good night.

To hearts which near each other move From evening close to morning light, The night is good; because, my love, They never say good-night.

Percy Bysshe Shelley [1792-1822]

SERENADE From "Sylvia"

Awake thee, my lady-love, Wake thee and rise! The sun through the bower peeps Into thine eyes!

Behold how the early lark Springs from the corn! Hark, hark how the flower-bird Winds her wee horn!

The swallow's glad shriek is heard All through the air; The stock-dove is murmuring Loud as she dare!

Apollo's winged bugleman Cannot contain, But peals his loud trumpet-call Once and again!

Then wake thee, my lady-love - Bird of my bower! The sweetest and sleepiest Bird at this hour!

George Darley [1795-1846]

SERENADE

Ah, sweet, thou little knowest how I wake and passionate watches keep; And yet, while I address thee now, Methinks thou smilest in thy sleep. 'Tis sweet enough to make me weep, That tender thought of love and thee, That while the world is hushed so deep, Thy soul's perhaps awake to me!

Sleep on, sleep on, sweet bride of sleep! With golden visions for thy dower, While I this midnight vigil keep, And bless thee in thy silent bower; To me 'tis sweeter than the power Of sleep, and fairy dreams unfurled, That I alone, at this still hour, In patient love outwatch the world.

Thomas Hood [1799-1845]

SERENADE

Look out upon the stars, my love, And shame them with thine eyes, On which, than on the lights above, There hang more destinies. Night's beauty is the harmony Of blending shades and light: Then, lady, up, - look out, and be A sister to the night!

Sleep not! - thine image wakes for aye Within my watching breast; Sleep not! - from her soft sleep should fly, Who robs all hearts of rest. Nay, lady, from thy slumbers break, And make this darkness gay, With looks whose brightness well might make Of darker nights a day.

Edward Coote Pinkney [1802-1828]

SERENADE

Hide, happy damask, from the stars, What sleep enfolds behind your veil, But open to the fairy cars On which the dreams of midnight sail; And let the zephyrs rise and fall About her in the curtained gloom, And then return to tell me all The silken secrets of the room.

Ah! dearest! may the elves that sway Thy fancies come from emerald plots, Where they have dozed and dreamed all day In hearts of blue forget-me-nots. And one perhaps shall whisper thus: Awake! and light the darkness, Sweet! While thou art reveling with us, He watches in the lonely street.

Henry Timrod [1829-1867]

SERENADE From "The Spanish Student"

Stars of the summer night! Far in yon azure deeps, Hide, hide your golden light! She sleeps! My lady sleeps! Sleeps!

Moon of the summer night! Far down yon western steeps, Sink, sink in silver light! She sleeps! My lady sleeps! Sleeps!

Wind of the summer night! Where yonder woodbine creeps, Fold, fold thy pinions light! She sleeps! My lady sleeps! Sleeps!

Dreams of the summer night! Tell her, her lover keeps Watch! while in slumbers light She sleeps! My lady sleeps! Sleeps!

Henry Wadsworth Longfellow [1807-1882]

"COME INTO THE GARDEN, MAUD" From "Maud"

Come into the garden, Maud, For the black bat, night, has flown, Come into the garden, Maud, I am here at the gate alone; And the woodbine spices are wafted abroad, And the musk of the rose is blown.

For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.

All night have the roses heard The flute, violin, bassoon; All night has the casement jessamine stirred To the dancers dancing in tune; Till a silence fell with the waking bird, And a hush with the setting moon.

I said to the lily, "There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.

I said to the rose, "The brief night goes In babble and revel and wine. O young lord-lover, what sighs are those, For one that will never be thine? But mine, but mine," so I sware to the rose, "For ever and ever, mine."

And the soul of the rose went into my blood, As the music clashed in the hall: And long by the garden lake I stood, For I heard your rivulet fall From the lake to the meadow and on to the wood, Our wood, that is dearer than all;

From the meadow your walks have left so sweet That whenever a March-wind sighs He sets the jewel-print of your feet In violets blue as your eyes, To the woody hollows in which we meet And the valleys of Paradise.

Elsewhere on the shelf