I am myself weary of going wandering so long among such miseries; wherefore, purposing henceforth to leave such part thereof as I can fitly, I say that,--our city being at this pass, well nigh void of inhabitants,--it chanced (as I afterward heard from a person worthy of credit) that there foregathered in the venerable church of Santa Maria Novella, one Tuesday morning when there was well nigh none else there, seven young ladies, all knit one to another by friendship or neighbourhood or kinship, who had heard divine service in mourning attire, as sorted with such a season. Not one of them had passed her eight-and-twentieth year nor was less than eighteen years old, and each was discreet and of noble blood, fair of favour and well-mannered and full of honest sprightliness. The names of these ladies I would in proper terms set out, did not just cause forbid me, to wit, that I would not have it possible that, in time to come, any of them should take shame by reason of the things hereinafter related as being told or hearkened by them, the laws of disport being nowadays somewhat straitened, which at that time, for the reasons above shown, were of the largest, not only for persons of their years, but for those of a much riper age; nor yet would I give occasion to the envious, who are still ready to carp at every praiseworthy life, on anywise to disparage the fair fame of these honourable ladies with unseemly talk. Wherefore, so that which each saith may hereafterward be apprehended without confusion, I purpose to denominate them by names altogether or in part sorting with each one's quality.[15] The first of them and her of ripest age I shall call Pampinea, the second Fiammetta, the third Filomena and the fourth Emilia. To the fifth we will give the name of Lauretta, to the sixth that of Neifile and the last, not without cause, we will style Elisa.[16] These, then, not drawn of any set purpose, but foregathering by chance in a corner of the church, having seated themselves in a ring, after divers sighs, let be the saying of paternosters and fell to devising with one another many and various things of the nature of the time. After awhile, the others being silent, Pampinea proceeded to speak thus:
[Footnote 15: Or character (_qualità_).]
[Footnote 16: I know of no explanation of these names by the commentators, who seem, indeed, after the manner of their kind, to have generally confined themselves to the elaborate illustration and elucidation (or rather, alas! too often, obscuration) of passages already perfectly plain, leaving the difficult passages for the most part untouched. The following is the best I can make of them. _Pampinea_ appears to be formed from the Greek [Greek: pan], all, and [Greek: pinuô], I advise, admonish or inform, and to mean all-advising or admonishing, which would agree well enough with the character of Pampinea, who is represented as the eldest and sagest of the female personages of the Decameron and as taking the lead in everything. _Fiammetta_ is the name by which Boccaccio designates his mistress, the Princess Maria of Naples (the lady for whom he cherished "the very high and noble passion" of which he speaks in his Proem), in his earlier opuscule, the "Elégia di Madonna Fiammetta," describing, in her name, the torments of separation from the beloved. In this work he speaks of himself under the name of Pamfilo (Gr. [Greek: pan], all, and [Greek: phileô], I love, _i.e._ the all-loving or the passionate lover), and it is probable, therefore, that under these names he intended to introduce his royal ladylove and himself in the present work. _Filomena_ (Italian form of Philomela, a nightingale, Greek [Greek: philos] loving, and [Greek: melos], melody, song, _i.e._ song-loving) is perhaps so styled for her love of music, and _Emilia's_ character, as it appears in the course of the work, justifies the derivation of her name from the Greek [Greek: aimylios], pleasing, engaging in manners and behaviour, cajoling. _Lauretta_ Boccaccio probably intends us to look upon as a learned lady, if, as we may suppose, her name is a corruption of _laureata_, laurel-crowned; whilst _Neifile's_ name (Greek [Greek: neios] [[Greek: neos]] new, and [Greek: phileô], I love, _i.e._ novelty-loving) stamps her as being of a somewhat curious disposition, eager "to tell or to hear some new thing." The name _Elisa_ is not so easily to be explained as the others; possibly it was intended by the author as a reminiscence of Dido, to whom the name (which is by some authorities explained to mean "Godlike," from a Hebrew root) is said to have been given "quòd plurima supra animi muliebris fortitudinem gesserit." It does not, however, appear that there was in Elisa's character or life anything to justify the implied comparison.]
"Dear my ladies, you may, like myself, have many times heard that whoso honestly useth his right doth no one wrong; and it is the natural right of every one who is born here below to succour, keep and defend his own life as best he may, and in so far is this allowed that it hath happened whiles that, for the preservation thereof, men have been slain without any fault. If this much be conceded of the laws, which have in view the well-being of all mortals, how much more is it lawful for us and whatsoever other, without offence unto any, to take such means as we may for the preservation of our lives? As often as I consider our fashions of this morning and those of many other mornings past and bethink me what and what manner discourses are ours, I feel, and you likewise must feel, that each of us is in fear for herself. Nor do I anywise wonder at this; but I wonder exceedingly, considering that we all have a woman's wit, that we take no steps to provide ourselves against that which each of us justly feareth. We abide here, to my seeming, no otherwise than as if we would or should be witness of how many dead bodies are brought hither for burial or to hearken if the friars of the place, whose number is come well nigh to nought, chant their offices at the due hours or by our apparel to show forth unto whosoever appeareth here the nature and extent of our distresses. If we depart hence, we either see dead bodies or sick persons carried about or those, whom for their misdeeds the authority of the public laws whilere condemned to exile, overrun the whole place with unseemly excesses, as if scoffing at the laws, for that they know the executors thereof to be either dead or sick; whilst the dregs of our city, fattened with our blood, style themselves _pickmen_ and ruffle it everywhere in mockery of us, riding and running all about and flouting us with our distresses in ribald songs. We hear nothing here but 'Such an one is dead' or 'Such an one is at the point of death'; and were there any to make them, we should hear dolorous lamentations on all sides. And if we return to our houses, I know not if it is with you as with me, but, for my part, when I find none left therein of a great household, save my serving-maid, I wax fearful and feel every hair of my body stand on end; and wherever I go or abide about the house, meseemeth I see the shades of those who are departed and who wear not those countenances that I was used to see, but terrify me with a horrid aspect, I know not whence newly come to them.
By reason of these things I feel myself alike ill at ease here and abroad and at home, more by token that meseemeth none, who hath, as we have, the power and whither to go, is left here, other than ourselves; or if any such there be, I have many a time both heard and perceived that, without making any distinction between things lawful and unlawful, so but appetite move them, whether alone or in company, both day and night, they do that which affordeth them most delight. Nor is it the laity alone who do thus; nay, even those who are shut in the monasteries, persuading themselves that what befitteth and is lawful to others alike sortable and unforbidden unto them,[17] have broken the laws of obedience and giving themselves to carnal delights, thinking thus to escape, are grown lewd and dissolute. If thus, then, it be, as is manifestly to be seen, what do we here? What look we for? What dream we? Why are we more sluggish and slower to provide for our safety than all the rest of the townsfolk? Deem we ourselves of less price than others, or do we hold our life to be bounden in our bodies with a stronger chain than is theirs and that therefore we need reck nothing of aught that hath power to harm it? We err, we are deceived; what folly is ours, if we think thus! As often as we choose to call to mind the number and quality of the youths and ladies overborne of this cruel pestilence, we may see a most manifest proof thereof.
[Footnote 17: This phrase may also be read "persuading themselves that that (_i.e._ their breach of the laws of obedience, etc.) beseemeth them and is forbidden only to others" (_faccendosi a credere che quello a lor si convenga e non si disdica che all' altre_); but the reading in the text appears more in harmony with the general sense and is indeed indicated by the punctuation of the Giunta Edition of 1527, which I generally follow in case of doubt.]