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The Car of Destiny · Williamson, C. N. (Charles Norris), Williamson, A. M. (Alice Muriel)

Section 43

Colonel O’Donnel remembered Señor Olivero since the time when he was a _banderillero_; oh, incomparably the most brilliant _banderillero_ of his day. Then, afterwards, what triumphs as a _torero_! Ah, that was something for an old admirer to remember. Not to regret, naturally, since the señor was as great an artist in his present profession as in that other doubtless sacrificed to family affections.

This gentleman whom he (Colonel O’Donnel) now ventured to introduce was from England, travelling with a friend from the States who wrote articles on Spain for well-known journals. The American could speak no Spanish, but with the gentleman from England it was like the native tongue. Therefore it was he who most often attended important ceremonies, and made notes for his friend to work up into articles. This entertainment in which Señor Olivero was assisting the Duke of Carmona, for instance; it would be all that was characteristic of Spain, as well as beautiful. If the señor would allow the gentleman from England to enter the Alcázar as one of his guitarists, an article could be made for the great American newspapers which would not only be a credit to the journalist, but would widely advertise the skill of Señor Olivero and his pupils.

If every man has his price, it was not derogatory to his merits that these pearls of flattery should be the price which bought Olivero. Not a penny was to be paid for the favour. When the word “money” was hinted, rather than spoken, the ex-hero of the bull-ring waved it away with a superb gesture. But he would be glad to see the articles when they appeared; and this was promised, for Dick must write them for the neglected papers he was supposed to represent.

In return for the promise (and the compliments), it was arranged that I should present myself at his house about ten o’clock (the dance was timed to begin at 10.45), there dress for my part, and be furnished with a guitar. Once inside the Alcázar I need not play upon the instrument; but, said Olivero, it was well that I should be able to do so if called upon. My costume was to be a short _chulo_ jacket and tight-hipped, loose-legged grey trousers, with a low-collared, unstarched shirt, and a broad-brimmed grey sombrero de Cordoba. With this hat, well tipped over my eyes, in moonlight or even spasmodic rose-and-gold bursts of coloured fire, recognition would be impossible at a distance; and I meant to keep at a distance from all the Duke’s party—with one exception.

By the time the plan was mapped out, it was nearly seven o’clock, but the O’Donnels still urged me to dine at the Cortijo de Santa Rufina. The Gloria would eat up the six miles distance in ten minutes; I could bathe and dress before 8.15, when dinner would be ready (a telegram had been sent to the servants from Cordoba), and rested and refreshed, I could start for Seville in the car again at half-past nine.

So we flashed out across the Guadalquivir, by way of the bridge of Isabel Segunda, into that strange suburb which gave Trajan birth, and my family their name; ancient Trajana, now Triana, town of potters, picadores, and gypsies.

Dark-browed boys played _toreros_ to our car as bull, their coats _muletas_, sticks their _banderillas_, yelling and springing lithely aside as the enemy rushed on them. Girls, handsome as Carmen, flung us flowers, staring boldly eye to eye; and this was my welcome to the place near which the Casa Trianas had once lived and thought themselves great!

Almost could I have seen the towers of the old house—now the property of the King—as we passed into open country again; but I did not speak, nor did the others, though the thought in my mind must have been in Pilar’s and Colonel O’Donnel’s.

Five miles more, through falling dusk and sweet country scents and we turned off the main road into another, gleaming white as a path of snow in the opal twilight. Then, in a wide-reaching plantation of olives, spraying silver on a ruddy soil where glimmered irrigation tanks and grinding mills, we came upon a large, irregular clump of white buildings grouped together, and made one by a high wall with an open belfry at one corner.

“Here we are at home!” exclaimed the Cherub with a contented sigh, as he gently touched Ropes’ shoulder. “Welcome, dear friends, to the Cortijo de Santa Rufina. It, and all within its walls, is at your disposition.”

We drove in through a wide gate in the outer wall, where there was a clamour of greeting from the steward, many servants, and more dogs, dogs of all races, who selected Pilar for their wildest demonstrations. In a second she was out of the car, and half drowned in a wave of tumultuous doghood. Laughing, shaking hands with the servants, patting or suppressing greyhounds, collies, setters, retrievers, she had never seemed so charming. This was the _real_ Pilar—Pilar at home; the Pilar it would be next to impossible to uproot from such associations. Again, poor Dick! And now he no longer tried to hide the loving admiration in his eyes. I think he would even have done his best to fondle a wild bull or two of her acquaintance had they been among the friends who gave her welcome.

Away boomed the Gloria to the stables—the sole garage at the Cortijo—while we were bidden through the Moorish entrance-porch and wrought-iron _cancela_ into a _patio_ surrounded on all sides by an arcade, roofed with green and brown tiling. The supporting pillars were of pale pink brick, not marble, and the pavement was of brick also, interset with a pattern of small blue tiles. But the tiles were old and good; from a carved stone basin in the middle of the court sprang the tall crystal stem of a fountain, blossoming into diamonds; pearly arum lilies, pink azaleas, and pale green hydrangeas bloomed in huge white and blue and yellow pots from Triana, of the same beautiful shapes made before Santa Justa and Santa Rufina knew they were saints, and undertook to keep the Giralda from falling.

The windows leading into the rooms surrounding the _patio_ were large as doors, and all were hospitably open, giving through thin curtains glimpses of old furniture carefully grouped to please a woman’s dainty taste. Pilar again—always Pilar! Here were her _lares_ and _penates_; and she was a goddess among lesser household gods. I knew that it would be safer for Dick to say a hasty good-bye upon the threshold; but I knew also that no power on earth could force him to do it.

“This is only a farm, you know,” said the girl, meekly, all the while dimpling with pride in her home and what she had made it; “for we are only farmers, aren’t we, Papa.”

Our rooms—Dick’s and mine—were not overstocked with furniture; but there were two or three things for which an antiquary would have pawned his soul. On one side, our windows looked upon the _patio_; on the other, we gazed through iron bars over olives and meadows where grain was green. There was no sound save the tinkling rain of the fountain, and now and then the sleepy note of a bird, or a far-away lowing of cattle—perhaps the welcoming bellow of Vivillo, the brown bull which was the sole possession of Carmona coveted by Pilar.

The two servants who waited at dinner were wreathed in smiles at seeing again their master and mistress; and their occasional furtive glances of interest in my direction made me wonder if they had not received mysterious instructions as to how they must answer any questions concerning me. But, whatever those instructions might be, I was sure they would be loyally carried out; for the Cherub is a man servants would obey through torture until death, if these days were as the old.

At half-past nine Ropes was ready to spin me back into Seville. We arrived earlier than need be; and having made an appointment to meet at a quiet hotel, where Ropes would await me from half-past eleven till half-past twelve, I decided to walk past Carmona’s house and reconnoitre.

I knew where to find it, in the Calle de las Dueñas; but if I had hoped for a tell-tale glimpse within, as in a London or Parisian mansion, I was disappointed. Once a Moorish palace, it showed a closed, secretive front to the narrow street. But I knew, for I had read, that within there were six courtyards, ninety marble pillars, half a dozen fountains, a garden of orange and magnolia trees, with myrtle hedges clipped to represent the ducal arms; that there were vast treasures of statuary, pictures by Velasquez, Murillo, and Alonso Cano; gold-inlaid plate armour; tapestry from the Netherlands not to be surpassed at the Royal Palace at Madrid.

I knew that these splendours would loom large in the eyes of Lady Vale-Avon, and might count for something even with Monica, who confessed to a love of all things beautiful. I thought of the famous Carmona jewels, which would belong to the wife of the Duke, while she lived, as they had belonged to generations of Duchesses. Above all, I thought of the incomparable Blanca Laguna pearl and its glistening maids of honour, which, by this time perhaps, had been shown to Monica. There were few girls in Spain, or in the world, I remembered hearing my mother say, who could resist that pearl as a bride. And now it was offered to Monica, a penniless girl of eighteen, whose beauty formed her sole dowry.

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