It was Dinky-Dunk, and he said I might have put his eyes out with bird-shot, if he hadn't made the quickest drop of his life. And he also said that he'd seen me, a distinct splash of white against the green of the prairie, three good miles away, and wasn't I ashamed of myself, and what would I have done if he'd been Olie or old man Dixon? But he kissed my shoulder where the gun-stock had bruised it, and helped me dress.
Then we rode off together, four or five miles north, where Dinky-Dunk was sure we could get a bag of duck. Which we did, thirteen altogether, and started for home as the sun got low and the evening air grew chilly. It was a heavenly ride. In the west a little army of thin blue clouds was edged with blazing gold, and up between them spread great fan-like shafts of amber light. Then came a riot of orange yellow and ashes of roses and the palest of gold with little islands of azure in it. Then while the dying radiance seemed to hold everything in a luminous wash of air, the stars came out, one by one, and a soft cool wind swept across the prairie, and the light darkened--and I was glad to have Dinky-Dunk there at my side, or I should have had a little cry, for the twilight prairie always makes me lonesome in a way that could never be put into words.
I tried to explain the feeling to Dinky-Dunk. He said he understood. "I'm a Sour-Dough, Gee-Gee, but it still gets me that way," he solemnly confessed. He said that when he listened to beautiful music he felt the same. And that got me thinking of grand opera, and of that _Romeo and Juliet_ night at La Scala, in Milan, when I first met Theobald Gustav. Then I stopped to tell Dinky-Dunk that I'd been hopelessly in love with a tenor at thirteen and had written in my journal: "I shall die and turn to dust still adoring him." Then I told him about my first opera, _Rigoletto_, and hummed "_La Donna E Mobile_," which of course he remembered himself. It took me back to Florence, and to a box at the Pagliano, and me all in dimity and cork-screw curls, weeping deliciously at a lady in white, whose troubles I could not quite understand. Then I got thinking of New York and the Metropolitan, and poor old Morris's lines:
And still with listening soul I hear Strains hushed for many a noisy year: The passionate chords which wake the tear, The low-voiced love-tales dear....
Scarce changed, the same musicians play The selfsame themes to-day; The silvery swift sonatas ring, The soaring voices sing!
And I could picture the old Metropolitan on a Caruso night. I could see the Golden Horse-Shoe and the geranium-red trimmings and the satiny white backs of the women, and smell that luxurious heavy smell of warm air and hothouse flowers and Paris perfumery and happy human bodies and hear the whisper of silk along the crimson stairways. I could see the lights go down, in a sort of sigh, before the overture began, and the scared-looking blotches of white on the musicians' scores and the other blotches made by their dress-shirt fronts, and the violins going up and down, up and down, as though they were one piece of machinery, and then the heavy curtain stealing up, and the thrill as that new heaven opened up to me, a gawky girl in her first low-cut dinner gown!
I told Dinky-Dunk I'd sat in every corner of that old house, up in the sky-parlor with the Italian barbers, in press-seats in the second gallery with dear old Fanny-Rain-in-the-Face, and in the Westbury's box with the First Lady of the Land and a Spanish Princess with extremely dirty nails. It seemed so far away, another life and another world! And for three hours of "Manon" I'd be willing to hang like a chimpanzee from the Metropolitan's center chandelier. I suddenly realized how much I missed it. I could have sung to the City as poor Charpentier's "Louise" sang to her Paris. And a coyote howled up near the trail, and the prairie got dark, with a pale green rind of light along the northwest, and I knew there would be a heavy frost before morning.
To-night after supper my soul and I sat down and did a bit of bookkeeping. Dinky-Dunk, who'd been watching me out of the corner of his eye, went to the window and said it looked like a storm. And I knew he meant that I was the Medicine Hat it was to come from, for before he'd got up from the table he'd explained to me that matrimony was like motoring because it was really traveling by means of a series of explosions. Then he tried to explain that in a few weeks the fall rush would be over and we'd have more time for getting what we deserved out of life. But I turned on him with sudden fierceness and declared I wasn't going to be merely an animal. I intended to keep my soul alive, that it was every one's duty, no matter where they were, to ennoble their spirit by keeping in touch with the best that has ever been felt and thought.
When I grimly got out my mouth-organ and played the _Pilgrim's Chorus_, as well as I could remember it, Dinky-Dunk sat listening in silent wonder. He kept up the fire, and waited until I got through. Then he reached for the dish-pan and said, quite casually, "I'm going to help you wash up to-night, Gee-Gee!" And so I put away the mouth-organ and washed up. But before I went to bed I got out my little vellum edition of Browning's _The Ring and the Book_, and read at it industriously, doggedly, determinedly, for a solid hour. What it's all about I don't know. Instead of ennobling my spirit it only tired my brain and ended up in making me so mad I flung the book into the wood-box.... Dinky-Dunk has just pinned a piece of paper on my door; it is a sentence from Epictetus. And it says: "Better it is that great souls should live in small habitations than that abject slaves should burrow in great houses!"
_Sunday the Eighteenth_
I spent an hour to-day trying to shoot a hen-hawk that's been hovering about the shack all afternoon. He's after my chickens, and as new-laid eggs are worth more than Browning to a homesteader, I got out my duck-gun. It gave me a feeling of impending evil, having that huge bird hanging about. It reminded me there was wrong and rapine in the world. I hated the brute. But I hid under one of the wagon-boxes and got him, in the end. I brought him down, a tumbling flurry of wings, like Satan's fall from Heaven. When I ran out to possess myself of his Satanic body he was only wounded, however, and was ready to show fight. Then I saw red again. I clubbed him with the gun-butt, going at him like fury. I was moist with perspiration when I got through with him. He was a monster. I nailed him with his wings out, on the bunk-house wall, and Olie shouted and called Dinky-Dunk when they came back from rounding up the horses, which had got away on the range. Dinky-Dunk solemnly warned me not to run risks, as he might have taken an eye out, or torn my face with his claws. He said he could have stuffed and mounted my hawk, if I hadn't clubbed the poor thing almost to pieces. There's a devil in me somewhere, I told Dinky-Dunk. But he only laughed.
_Monday the Nineteenth_
To-night Dinky-Dunk and I spent a solid hour trying to decide on a name for the shack. I wanted to call it "Crucknacoola," which is Gaelic for "A Little Hill of Sleep," but Dinky-Dunk brought forward the objection that there was no hill. Then I suggested "Barnavista," since about all we can see from the door are the stables. Then I said "The Builtmore," in a spirit of mockery, and then Dinky-Dunk in a spirit of irony suggested "Casa Grande." And in the end we united on "Casa Grande." It is marvelous how my hair grows. Olie now watches me studiously as I eat. I can see that he is patiently patterning his table deportment after mine. There's nothing that silent rough-mannered man wouldn't do for me. I've got so I never notice his nose, any more than I used to notice Uncle Carlton's receding chin. But I don't think Olie is getting enough to eat. All his mind seems taken up with trying to remember not to drink out of his saucer, as history sayeth George Washington himself once did!
_Tuesday the Twentieth_
I knew that old hen-hawk meant trouble for me--and the trouble came, all right. I'm afraid I can't tell about it very coherently, but this is how it began: I was alone yesterday afternoon, busy in the shack, when a Mounted Policeman rode up to the door, and, for a moment, nearly frightened the life out of me. I just stood and stared at him, for he was the first really, truly live man, outside Olie and my husband, I'd seen for so long. And he looked very dashing in his scarlet jacket and yellow facings. But I didn't have long to meditate on his color scheme, for he calmly announced that a ranchman named McMein had been murdered by a drunken cowboy in a wage dispute, and the murderer had been seen heading for the Cochrane Ranch. He (the M. P.) inquired if I would object to his searching the buildings.
Would I object? I most assuredly did not, for little chills began to play up and down my spinal column, and I wasn't exactly in love with the idea of having an escaped murderer crawling out of a hay-stack at midnight and cutting my throat. The ranchman McMein had been killed on Saturday, and the cowboy had been kept on the run for two days. As I was being told this I tried to remember where Dinky-Dunk had stowed away his revolver-holster and his hammerless ejector and his Colt repeater. But I made that handsome young man in the scarlet coat come right into the shack and begin his search by looking under the bed, and then going down the cellar.