[Sidenote A: Amor mi troua di tutto disarmato.]
The two straight pillars of Porphyre of seuen diameters vpon either of the aforenamed stilipodes and square aultars did stretch vpward of a pumish or tawnie colour, the out sides shining cleere and smoothly pollished, chamfered, and chanelled with foure and twenty rebaternents or channels in euery collumne betwixt the nextruls or cordels.
Of these the third part was round, and the reason of their cutting in such sort (that is two parts chamfered, & the third round) as I thought was this: the frame or temple was dedicated to both sexes, that is, to a god and a goddesse, or to the mother and the son, or to the husband and the wife, or the father and the daughter, and such like. And therefore the expert and cunning workemen in elder time for the feminine sex, did vse more chamfering and channelling and double varietie then for the masculine, because of their slippery and vnconstant nature.
The cause of so much rebating was to shew that this was the temple of a goddesse, for chamfering dooth set foorth the plytes of feminine apparell, vpon the which they placed a chapter with prependent folding, like vnto plyted and curled haire, and feminine dressing, and sometimes in stead of a chapter a woman's head with crisped haire.
These notable and faire collumnes aforesaide did rise vp in length vpon their vnderset bases of brasse with their _Thores_ and _Cymbies_[A] wrought with a foliature of oke leaues and acornes winding about their chapters standing vpon their subiect _Plynths_.
[Sidenote A: Thores and Cymbies be the outward parts of a chapter or head of a pillar sticking out further than the pillar wrything and turning in, wrought with leaues, the worke is called of caruers & painters draperie and celerie.]
The Chapters of the same substance of their bases, with requisite meete and conuenient proportion aunswerable to the harmonie of the whole worke. Such as _Callimachus_ the chiefe caruer to _Calathus_ the sonne of _Iupiter_ did neuer performe or come neere in the erected sepulcher of the _Corinthian_ Virgin, beautified with draperie of double _Achanthis_.
The Plynthes whereon the chapters did stand wrought with winding and turning workes, and in the middest, decorated with a Lillie, the bowle garnished with two rowes of viii. leaues of Achanthus, after the Romaine and Corinthian maner, out of which leaues came little small stalkes, closing together in the middest of the boule, shewing foorth a fayre and sweet composed Lyllie in the hollowing of the Abac or Plynth, from the which the tender stalkes did turne round together, vnder the compasse of the square Abac, much after the woorke that _Agrippa_ caused to bee made, in the porche of his woonderfull Pantheon.
Let vs come now to the lymet and lowest parte of the doore, for entrance, which was of a great large and harde stone, powdered with sundry sorted spottes, white, black, and of a clay couler, and diuers other mixtures: vppon this stood the streight cheekes and sides of the doore, with an interstitious aspect, inwardly carued with as great cunning as the rest. Without any signe of eyther hookes or hinges, below or aboue.
The arche of which doore compassing like a halfe cyrcle, was wrought curiouslye and imbowed, and as it were bounde about with laces like beads of brasse, some round, and some like Eglantine berries of a reddish couler, hanging downe after an auncient manner, and foulded and turned in among the tender stalkes.
The closing together and bracing of which hemicycle or arch, worthie of admiration, of a rare and subtile deuise, and exquisite polyture, did thus obiect and present it selfe to my sight.
There I beheld in a hard and most black stone, an eagle displayed, and bearing out of the bignesse of a naturall eagle, which had louingly seazed and taken in hir foote a sweete babe in the swadling cloutes,[A] nicely, carefully, and gently houlding the same, least that hir strong, sharpe, and hooking pounces, should by anye meanes pierce thorough the tender skynne of the young infant.
[Sidenote A: The Eagle of Iupiter that carryed Ganimed.]
Hir feete were fixed about the rising vp chist of the childe, whome she had made bare from the nauell vpwarde and downeward so as the naked hippes might be seene betwixt the fethered thighes of the Eagle. This little infant and most beautifull babe (worthie and meete for him that he was seazed for) by his countenance shewed as if he had beene afraide of his fortune.
And thus lying in the foote of the Eagle, he stretched both his armes abroade, and with his little fat hands tooke fast hould vpon the remigiall bones[A] of the Eagles pinions displayed, as aforesaid. And clasping his swelling prittie legges and feete, about hir suruaighing spreding traine, which laye behinde the rising vppe of the arche.
[Sidenote A: The bones next the qack in the wing, whiche in a hawke excelleth all proportions of other birds.]
This little childe was cut of the white vayne of Achates[A] or Onix, and the Eagle of the other vaine of the same stone called sardius which is of black couler of some called Cordeoll, ioyning both in one selfe same stone. Whereat I stood musing and commending to my selfe the ingenious and apt inuention of the Arthist, in the vse of such a stone, which of his owne nature to contrarie proportions affoorded contrarie coulers, and in such sort as by the raysing vp of hir small plummage aboue hir seare, hir beack halfe open, and hir toung appearing in the middest thereof, as if she had beene resolutely intended, and eagerly bent to haue gorged hir selfe vpon it.
[Sidenote A: Achates is a pretious stone wherein are represented the figures of the nine Muses, of Venus and such like beautiful personages.]
The hemicicle or arche rising rownd from the vpper part of the streight cheeke of the entrance, according to the thicknes thereof was disposed into losenges or squares, wherein were carued Roses, theyr leaues and branches hanging in a curious and delightfull order to behoulde, ouer the entry of the Gate.
In the two Triangles occasioned by the bow of the arche there were two fayre Nymphes of excellent proportions and shapes, theyr clothes which couered theyr Virgins bodyes, giuing place for theyr legges, brests, and armes to be bare, theyr hayre loose and flying abroad, and towardes the brace, and knitting together of the arche aboue, they held a victorious troph[ae].
The ground of which tryangle was of black stone, the better to shew the perfection and truthe of the mettals in the troph[ae]s, and the beautifull bodyes of the delycate virgins.
Aboue these mentioned partes, was the Zophor,[A] in the myddest whereof, I beheld a table of goulde, wherein was this Epigram in Cappitall Greeke Letters of Syluer. In thys sorte reporting.
+THEOIS APHRODITIKAI TO: O: EROTI DIONISOS YKAI DE: ME:TRA EK TO:N IDIO:N MYTRI SUMPATHESTATE:+
_Diis veneri filio amori, Bacchus, & Ceres de propriis, S. substantiis matri pientissim[ae]._
[Sidenote A: Zophor is a border wherin diuers things are grauen.]
Eyther sides of which table was reteind and held vp with two babes or wynged spyrits of perfect and liuelye shapes, as if they had beene celestiall bodyes, vppon a ground of Iasul or blew Saphyrs to grace the mettals and imagerie.
Vpon the face of the Zophor extending and stretching along ouer the columnes of porphir stone were ingrauen certain spoiles or curates, gorgets of mayle, vaumbraces, gauntlets, shields, Targets, head-peeces, maces, battell Axes, spurres, quiuers, arrowes, dartes, broken launces, curtilaxes, and other auncient instruments of warre. As well ayerie and marine, as for the field singularly well cut, and manifesting to the behoulder both victories, force, and triumphes, after a mortall effusion of bloud.
Vpon this in order stood the coronice, wrought with such lyneaments as decently concurred, and were aunswerable to the excellencie of the rest of the worke: for other wise, as in a mans body one qualitie being contrarie to another, sicknesse dooth follow, the humors oppressing one an other in abundance: so in building if the adiuncts be vnaptly disposed, and vndecently distributed there will fall out a fowle deformitie.
For a frame and building growes weake and vnseemely wherin cannot be found a sweete harmonie and commodulate order and concent.
Which thing many moderne ideots doe confound, being ignorant in Locall distribution. For a cunning crafts master will in his worke shewe an allusion or resemblance to a humaine shape and proportion beautifully adorned in apparrell.
Aboue ouer the coronice, by an inuers gradation there were fowre Quadratures or square Tables, two right ouer the chamfered columnes, and channelled pyllars, and two within them. In an other deuision, betwixt the said two contrast and inwarde tables, there stood a Nimph in hir Anagliph[A] most rare and excellent of Orichalke or yealow Latin, houlding in eyther hand a Torche, one of them reuersed and turned downeward, beieng extinct and put out, and the other burning towardes the Sunne. The burning Torche in hyr righte hande, and the extincte in hyr left.